Tag Archives: Breaking Bad

Ep. #25: Jon Wurster

Jon Wurster is one of the best drummers in rock music and he has proven this to be true by filling that role for people like Bob Mould, Rocket From the Crypt, R.E.M., A.C. Newman, Katy Perry, and many more. He’s also a comedic writer and performer, often appearing on The Best Show on WFMU with Tom Scharpling and he’s been featured in music videos and commercials that you might very well have seen. Aside from his relatively recent post in a great band called the Mountain Goats, Wurster is likely best known for playing in Superchunk from Chapel Hill, North Carolina. There is no band like Superchunk; they are a kinetic, power pop force that have been inspiring people with their work for close to 25 years. The band’s 10th studio album is a mighty one called I Hate Music, it was released on August 20 via Merge Records, and Jon and I spoke about why he thinks it and its predecessor, Majesty Shredding, are Superchunk’s best records, why he can’t get into Breaking Bad or Arrested Development, the distance he keeps from the work of lyric writers in his bands, escaping the Calgary flood, what’s up with Laura Ballance’s hearing issues and why he thought Superchunk should stop, a hat burned by Kurt Cobain, and how Aerosmith’s Joe Perry might not actually know how to play the solo in “We Will Rock You.”

Related links: mergerecords.com/artists/superchunk twitter.com/jonwurster vishkhanna.com


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Ep. #24: Steve Albini

Steve Albini is a man who lives in Chicago, Illinois and owns and operates the really remarkable Electrical Audio Recording facility. He is the guitar player and primary singer in the band Shellac and he makes a mean cup of fluffy coffee. The 1993 album In Utero by the Washington-State-based band Nirvana is among the thousands of records that Albini has engineered over the course of his time doing that sort of thing and earlier this summer he gave the songs from those sessions fresh mixes for the 20th anniversary edition of In Utero, which is due out in North America on September 24. In our past midnight conversation, Steve discussed his interesting history with Kurt Cobain, his abandoned work with Fugazi, the stories behind making In Utero, why the new edition of the record was mastered to sound the best it possibly can, the highs and lows of the relatively recent rash of remastered reissues that record buyers face each and every day, the mostly good but surprisingly sad and surreal professional aftermath of making In Utero, how it might have changed his life, how the new Shellac LP’s test pressings are on route to the band and artwork is close to finalized (also the new Bottomless Pit record is done!), and why he doesn’t care about Breaking Bad but can tolerate The Newsroom.

Related links: nirvana.com electricalaudio.com vishkhanna.com


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