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Ep. #97: Braids

Braids is an excellent, art-y rock band from Montreal featuring Raphaelle Standell-Preston, Austin Tufts, and Taylor Smith. Originally from Calgary, Braids is a close-knit group whose first album, Native Speaker, was excellent and short-listed for Canada’s Polaris Music Prize (previous winners include Karkwa). Their latest album is 2013’s Flourish // Perish, which is obtainable via Arbutus and Flemish Eye Records and is a moodier, emotionally and musically challenging feat from one of the most accomplished young bands in North America. Braids are on a tour of the eastern and midwestern parts of the United States and they play Montreal’s Il Motore on May 10 and Toronto’s Horseshoe on May 11. Back in November 2013, Raph, Austin, and even press-shy Taylor met with me outside of Toronto where we had a good chat about addictive coffee-flavoured e-cigarettes, a living room in Mississauga with a wooden carpet, rating Halloween candy, a tour oasis and a bitchy cat, my mom, my name Vishal, and our premature births, Austin and Raph’s close, sibling-like relationship, the travails of An Indian From Kitchener, computers versus guitars, special effects and Flourish // Perish, the logical puzzle that is the piano, leaving space in your work so that you can think, how Raph has grappled with mental health issues and public pressure and Flourish // Perish’s uniquely dark tone for an ‘electronic’ record, Austin is a man, the road is long, losing Katie Lee, you’ll have to speak up; the soundman is wearing a towel, female companionship, man conquers machine, machine conquers woman, how the media has manipulated and over-scrutinized Katie’s departure from Braids, the band’s frustration with the way they were portrayed in an Exclaim! Magazine cover story this past fall and how it impacted their already fragile relationship with Katie, the power dynamic between journalists and interview subjects, unique views and clickbait culture, learning from talking, Taylor shows up to discuss abstaining from interviews and their value, Braids’ future plans and progress towards their next record, Joshua Tree National Park and the desert, Good Will Hunting, Back to the Future, the song “Girl,” and that’s it.

Related links: braidsmusic.com vishkhanna.com

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Ep. #96: Nathan Lawr

Nathan Lawr is a talented songwriter and multi-instrumentalist who lives in Guelph. Over the past 20 years, Lawr has been a go-to drummer for people like Jim Guthrie, King Cobb Steelie, Royal City, FemBots, Bry Webb, and more. When he emerged as a folk-pop songwriter in his own right about 10 years ago, Lawr’s love songs had bite and topical, political implications, which eventually morphed into his most outspoken band yet, the Afrobeat-inspired MINOTAURS. Lawr is also greatly invested in social change and democracy and has worked with the Canadian Civil Liberties Association to develop the Canadian Artists for Civil Liberties. He has helped organize a 50th anniversary celebration of the Canadian Civil Liberties Association on May 3rd at Trinity St. Paul’s United Church in Toronto, which will feature musicians, spoken word performers, dancers and visual artists who have all come together to celebrate freedom of expression in the arts. Here, Nathan and I discuss ‘Uncle Natey’s Grump Shack’ and cheering up, why he’s working with civil liberties organizations and putting the ‘active’ in activist, how social media doesn’t necessarily encourage dialogue, how freedom of expression is non-partisan, how our freedom was infringed upon in World War I, getting younger/busy people interested in political discourse and fostering opinionated engagement, change and people in the streets, what the Donald Sterling/NBA fiasco teaches us about protective face-saving, Nathan’s fondness for H&M’s line of socks and how righteousness is undermined by accusations of hypocrisy, the theme from Peter Gunn and his history as a musician and music fan, the video game Spy Hunter, drum lessons, Fugazi and Primus, not loving guitars but being ok with pianos, knowing when to fold ‘em, playing in King Cobb Steelie and their pioneering approach to punk, the politically-charged city of Guelph and having tolerant parents, here comes the argument, how Nathan did not turn out a punk, my unfocused, unnecessary curatorial advice to people programming variety shows, arbitrary references to Feist and “farting on sandwiches,” why some famous people won’t vouch for things they actually believe in and why some topics are ‘hushed,’ Nathan’s ill-fated and traumatizing attempt to bring musicians and Toronto Police together for a hockey game to raise awareness about civil liberties, why talking shit out is important, Nathan’s great regrets about leaving the band Royal City and our fun American tour in October 2000, his future music plans, the MINOTAURS song “Make Some Noise,” and then we just spent the rest of the day farting on sandwiches.

Related links: minotaursband.com ccla.org vishkhanna.com

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Ep. #95: São Paulo Underground

São Paulo Underground is a cultural and stylistic collision between electronica, tropicalia, avant garde jazz, and punk, featuring Chicago Underground Duo’s Rob Mazurek on cornet, harmonium and various effects, and São Paulo’s Guilherme Granado on keyboards, synths, sampler and vocals, and Mauricio Takara on percussion, cavaquinho and electronics. All three men were in town last September for the 2013 Guelph Jazz Festival and we had a chat at a restaurant in Guelph called Ox, where we pondered their latest and fourth album, Beija Flors Velho E Sujo. Wavelength Toronto presents Chicago Underground Duo at the Garrison on Thursday May 1 so it seemed like the right time to dig into the interview archives and present this spirited conversation in which São Paulo Underground and I discuss vocal harmonies on “G-Ball’s Fantasia,” why the band keeps returning to Guelph for the Guelph Jazz Festival, G-Ball’s cheeseburger odyssey and Canadian generosity, their new band and the ol’ dirty hummingbird, Ol’ Dirty Bastard, Sun Ra, and The Wizard of Oz, making an album with Greg “the Shark” Norman at Electrical Audio in Chicago, why SPU get along so well and the wisdom of Pharoah Sanders, G-Ball’s birthday, the band’s 10th anniversary, how São Paulo Underground came together and its connection to the Chicago Underground Duo, the experimental and punk music scenes in São Paulo, the tremendous impact Fugazi had on musicians in Brazil after they played a show there, Mauricio’s collaborations with Fugazi’s Joe Lally and Sonic Youth’s Lee Ranaldo, Kenny from Wellington Brewery offers SPU an SPA, the story of Rob Mazurek, where the Exploding Star Orchestra came from, learning from elder musicians, why Chicago’s music history is out of hand and how the culture there impacted Rob’s wild aesthetic, Chicago bands like Tortoise, Sea and Cake, U.S. Maple, the For Carnation, Gastr del Sol, and the Smashing Pumpkins, bringing the ruckus, Rob’s involvement within numerous musical styles, how punk and jazz make sense together and galvanize people, punk rock free samba yoga, what’s coming up next for São Paulo Underground and Chicago Underground Duo and Rob’s love life, mental preparation before working with legends, beautiful vocal harmonies, the song “Ol’ Dirty Hummingbird” and a nice fade out.

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Related links: cuneiformrecords.com/bandshtml/saopaulo.html vishkhanna.com

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