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Ep. #155: The Weather Station

Tamara Lindeman is a captivating singer and vivid lyricist who operates under the moniker the Weather Station. Currently based in Toronto, Lindeman has been a member of notable bands like Entire Cities, Bruce Peninsula, and Marine Dreams and she has collaborated with Baby Eagle, Bahamas, Doug Paisley, Siskiyou, and more. She recently released a beautiful observational EP called What Am I Going to Do with Everything I Know, which is out now on the fine North American label, You’ve Changed Records, and precedes the spring release of her next full-length album, Loyalty. The Weather Station are playing a song or two on my Long Night talk show at Long Winter at the Great Hall in Toronto on Friday January 9 at around 8:00 PM and here we discuss relationship tension, narrative and personal songwriting, Steven Lambke’s ingenious songwriting as Baby Eagle, working with Daniel Romano who’s a doer, growing up outside of Orangeville, not really listening to good music until moving to Toronto, cultural isolation, learning to play and write late in life, a secret life as a thespian, Tilda Swinton, The Murdoch Mysteries, AC/DC and High Voltage, hints about the new album Loyalty, the song “What Am I Going to Do (With Everything I Know),” and much more than I had the time to write about this morning.

Related links: the-weather-station.com youvechangedrecords.com torontolongwinter.com vishkhanna.com

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Ep. #154: Tom Scharpling

Tom Scharpling is a comedic writer, performer, and personality who hails from the state of New Jersey. He founded a fanzine and record label called 18 Wheeler in the early 1990s, he was a writer and executive producer on the TV show Monk during its eight year run on the USA network, he made contributions to the show, Tim and Eric Awesome Show, Great Job!, and has directed music videos and short films for people like the New Pornographers, Ted Leo, the Postal Service, and Aimee Mann among others. But along with Jon Wurster, Scharpling is most beloved as one-half of the comedy duo Scharpling & Wurster and for hosting the popular and influential call-in music program The Best Show on WFMU in Jersey City, New Jersey. Scharpling commandeered the Best Show for 13 years, before ending its run in December 2013. This past October, he announced that the Best Show would be returning as a podcast, which can soon be found at thebestshow.net, and the Numero Group is also releasing a 16-CD Scharpling & Wurster Best of the Best Show box set this coming March. Here, Tom and I discuss soggy New Jersey, getting over winter, the current status of The Best Show, why the original Best Show stopped, quality trumps all, volunteering at a non-commercial station like WFMU, no money, working real jobs while putting a lot of time and energy into a volunteer project, working for Monk, whether or not the consumption of free content means that content has been devalued, people value phones more than the entertainment they’re consuming, the elimination of singles and music industry mistakes, loving the things that people make, making a living, The Best Show will be less a podcast and more of a live-on-the-internet type show, no doubt, commercials, I convey envy for some reason, how the end of The Best Show on WFMU impacted people, growing up lower middle-class in New Jersey, getting into comedy and music at a young age, loving game changers like SCTV, SNL, David Letterman, Bill Murray, and Howard Stern, starting a zine and record label, writing a screenplay, performance anxiety, getting into WFMU as an overnight DJ, how other people’s work might influence your own, it wasn’t really the best show, when The Best Show and Scharpling and Wurster began to click, there’s no fun in fundraising, the best is yet to come, Julie Klausner’s How Was Your Week? and Marc Maron’s WTF, not listening to other people’s stuff when you start making stuff, calling upon independent podcast and radio hosts for interviews, perceptions of success, the Scharpling & Wurster box set is special, reflection, Patton Oswalt, Julie Klausner, Jake Fogelnest, Damian Abraham, and others contributed to the liner notes in the box, Tom and Jon each wrote descriptions of the tracks, Fucked Up rule, future plans and media appearances, Letterman, going to Late Night with Conan O’Brien tapings, whether or not Tom was at a taping of The Chris Getheard Show featuring Sleater-Kinney instead of doing Jon Solomon’s WPRB radio show, what the Best Show might look like, smashing a phone with hammers, the song “Sun Glass” by Fucked Up, and that’s the end.

Related links: thebestshow.net numerogroup.com vishkhanna.com

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Ep. #153: Jasmyn Burke of Weaves

Jasmyn Burke is the lead singer and co-founder of a great young band from Toronto called Weaves. If electronic, synthesizer-driven bands might be called computer music, Weaves make Internet rock—an open-minded, all-encompassing pop music that’s infused with all of the sounds and information that is currently available. They have received accolades from Canadian and U.S. media outlets and released their first EP this past April 1. On December 12, Weaves are playing Stay Out of the Mall XIII with METZ and Badminton Racquet at the Ebar in Guelph and here, Jasmyn and I discuss hanging out at her parents’ house in Ancaster Ontario, actually being raised in Toronto, making music the way you listen to music, being difficult to pigeonhole artistically, working with Morgan Waters who’s the Rosetta Stone of musical collaborators and translates her ideas into more of a pop framework, Dr. Ew, when bands like Alvvays and Weaves do well, playing in Rattail, Jasmyn’s nerves and overcoming performance anxiety rituals, introverts who become front people, no one’s going to die, growing up in Weston, the boring ‘burbs, a penny-farthing tattoo, suburban hunger, seeing someone play a Neil Young song and loving Bob Dylan, Hot Monogamy, having a passion for creating strong vocal melodies and lyrics, discovering your own voice, always loving Toronto and believing in its supportive underground music community, Drake, the city of Toronto’s notoriety of late, we do need another hero, insidious search history ads, Toronto pet peeves, avoiding condescending ghettoization, sometimes the less we talk about a problem, the more quickly it goes away, feeding off the tension about the differences between us, why Weaves release singles every few months rather than a full LP, batch versus incremental recording, writing and recording all of the time, the album will be dead, the Weaves album will be deadly, opening for tUnE-yArDs at Massey Hall, Merrill Garbus is super nice, not working much, not complaining, travel and recording plans, seeing Bob Dylan live, the song “Shithole,” finding alien song ideas in your iPhone Voice Memos, and that’s it.

Related links: weavesband.com buzzrecords.ca vishkhanna.com

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