Tag Archives: You’ve Changed Records

Ep. #258: Shotgun Jimmie

Shotgun Jimmie is a prolific and talented singer, songwriter, and musician who currently lives in Brandon, Manitoba. Over the past 10 years, Shotgun Jimmie has emerged as one of the most beloved figures in indie-rock and has been touring a bunch in support of his latest record, Field of Trampolines, which is out now via You’ve Changed Records. He’s crossing Canada and Europe over the next few months, including a May 28 Toronto show at the Monarch Tavern and a June 3 Guelph show at the Ebar over the next while. Jimmie and I caught up on the last day of the Lawnya Vawnya festival in St. John’s, Newfoundland a few weeks ago (in a windy spot by the harbour) where we discussed taking photos of me in St. John’s, enjoying Lawnya Vawnya, loving the Ship and its smell, embarrassing stage banter, the one-man band version of Shotgun Jimmie, novelty act concerns, name changes, Steven Lambke, Michael Feuerstack, Bill Callahan, big pun, his unexpected relationship with stand-up comedy, Yuk Yuk’s, Shaun Majumder on the come-up, visible minorities in Newfoundland, some of this traffic-stopping for pedestrians might not be safe, growing up a creative prankster in Ajax, Oshawa and the Baird Brothers, living in Toronto and then Sackville and the band Drummer, Frederick Squire, Shotgun & Jaybird, calling Shotgun, Paul Henderson and Julie Doiron, Eric’s Trip and Moonsocket, Stephen Malkmus and boosting, socializing with heroes, camaraderie, the wind and Signal Hill, how we dress almost exactly the same right down to the brand name and specific clothing item, the end of Shotgun & Jaybird, two rounds of f&c at the Duke of Duckworth, when he became Shotgun Jimmie, the song “Bedhead,” celebrity impressions, Kermit and Yoda, sleeping bags and stagecraft, a beach ball globe, love songs about Eric’s Trip, Constantines, Attack in Black, and Project 9, dorky namechecks, “Unseen Power of the Picket Fence,” Malkmus and calling rock bands out by name, meta cultural commentary, Steve Earle, befriending Steven Lambke and Daniel Romano and repping You’ve Changed Records, YC Video and new releases, Nap Eyes and Partner, optimism and sincerity in the face of hipster indifference, no back-up, studying fine art, no one emails anymore because they text, an artist’s residency in Sackville via Sappyfest, playing Sled Island again, maybe playing Sappyfest, stand-up comedy confidence, prepared banter, the song “Field of Trampolines,” and then the wind picked up.

Related links: shotgunjimmie.net youvechangedrecords.com vishkhanna.com

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Ep. #256: Daniel Romano

Daniel Romano is a multi-talented musician, producer, label co-owner, and fashion entrepreneur who lives in Fenwick, Ontario. Over the past 15 years, he’s made a name for himself in bands like Attack in Black and Daniel, Fred, and Julie and as a solo artist exploring the far reaches of folk and country music. His fifth solo album is called Mosey and it may well be his most ambitious record to date. It’s out worldwide via New West Records on May 27 and Romano and his band hit the road hard right around then. Here, Daniel and I discuss living in Fenwick, Ontario on a compound, communalism, Spencer Burton rolls around with pigs, The King of Mosey, boxes, temporality and cultural identity, world war, hopelessness, revolution, cultural orthodoxy, there’s no style, Dan’s promo photos, classic country music fans, being a student in different classes, false futurism and reverence for history, unintentional influences, Lee Majors, The Fall Guy, cinematic influences and instrumentals for an abandoned short film, poems, where the strings come in, the song “Mr. E Me” and its potential autobiography, knowing himself, Slim Twig and David Bowie, how people fear change, grip of the industry, consumers, no one is taking chances outside of hip-hop music, devaluation, becoming a dog person, relating to his audience, Snoop Dogg in a cowboy hat, sartorial iconography and intent, the united states of Americana, good is gone, desperation to sustain something vapid, how actress Rachel McAdams wound up playing a character on the song “Toulouse,” Rachel laughing, earnestness and humour, it’s all gone, how film and television people learned what not to do from the music industry, how we pay for HBO and it always delivers, worse jobs than musician, art is everywhere and it pays nothing, why hip-hop is thriving in an age of self-promotion, a denim storefront in Fenwick called Friday’s Child, stage wear, unsettling individuality, his power-pop project Ancient Shapes and their new record, which is out May 27 via You’ve Changed, the song “Hunger is a Dream You Die In,” how and why Dan tends to play every instrument himself, and then we had to mosey.

Related links: danielromanomusic.com newwestrecords.com vishkhanna.com

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Ep. #233: Steven Lambke

Steven Lambke is a gifted musician, songwriter, and singer based in Toronto, Ontario. A member of the Constantines, over the past decade, Lambke has also released a wondrous solo discography under the moniker Baby Eagle. He recently retired Baby Eagle to work under his own name for the stunning album, Days of Heaven, which was released on his own label, You’ve Changed Records, and is one of the finest collections of songs to have come out in 2015. Throughout January, Lambke takes a full band on the road across Ontario, New Brunswick, and Nova Scotia and here, Lambke and I discuss spacey basements in Toronto, bassoons, turning into Steven Lambke after being Baby Eagle and what that means, punk rock and sophisticated musical arrangements, when these songs were written and what they mean lying side by side, writing love songs in disguise, love and God, “Silence/Love,” poetry and prose and personal songs, expressing the lyrics and not one’s self, the world of the Dog Weather album, the relationship between the songs on Days of Heaven and the return of Constantines and the band’s new songs, talking to and about the Constantines, “we had an understanding only we could understand,” the Steven Lambke live band is often Daniel Romano’s live band, Mika Posen and Bob Dylan’s Desire, Tamara Lindeman’s arranging role on Days of Heaven, cities and dates, the song “Hummingbird,” and then silence.

Related links: youvechangedrecords.com vishkhanna.com

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