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Ep. #211: Julie Fader & Graham Walsh of Etiquette

Etiquette is a wonderfully haunting, groove and ambient-rich pop band started by real-life couple Julie Fader and Holy Fuck’s Graham Walsh in their homebase of Toronto, ON. This past March, they released Reminisce, their debut album, which is out via Hand Drawn Dracula and they’re playing Camp Wavelength on Toronto Island this Saturday August 29 at 2:00 PM. Here, Julie, Graham, and I discuss my frozen face post-dental surgery, oral hygiene, ginger ale, Graham made it, fixing up a fixer-upper in Toronto, revealing Julie’s pregnancy during breakfast on an old radio show of mine, breakfast tacos, Jerry Seinfeld owes me money, Graham is busy working on the new Operators record, METZ’s vocal part recordings, too loud for Frances, touring versus making and selling records, musical depression, the sound of Etiquette, the power of King Cobb Steelie, Julie’s voice, making makeout music, Julie’s singing and lyrics, sex on the bathroom floor, people misinterpreting Etiquette lyrics because of Julie and Graham’s personal relationship, Julie and Siri, Guelph rules and cowboys, ladyfriend, how Julie and Graham met at Dr. Disc, the Raven in Hamilton, upside down bass, lefty, Flux, growing up playing music, the flute, singing with Sarah Harmer, playing acoustic guitar, that Massey Hall show with Chad VanGaalen, vagabond carpentry, Sarah Harmer and Emily Post, making a new Etiquette record before the new Holy Fuck record comes out, musical freedom and oppression, a significant creative spurt, the song “Attention Seeker,” and then there was drool.

Related links: handdrawndracula.com/artists/etiquette vishkhanna.com

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Ep. #207: Slim Twig

Slim Twig is the moniker for a young man from Toronto named Max Turnbull who’s a noted actor and musician. Over the past 10 years, he has released a lot of challenging, artful pop music in projects like Tropics, Archaic Women, Plastic Factory, U.S. Girls, Darlene Shrugg, and of course, Slim Twig. His most recent Slim Twig album is a challenging yet accessible blast of psych-pop called Thank You for Stickin’ With Twig, which is available via DFA Records. Here, Max and I discuss his parents’ house in Toronto, the internet and its trappings, drugs, Slim Twig’s cover of Serge Gainsbourg’s song ‘Cannabis,’ not making stoner rock, self-awareness and external perceptions and leading the discussion about your own work, anti-fundamentalism, self-defence, media distillation and brevity, wearing one’s influences on one’s sleeve, gratitude on the new album, tongue in cheek, submerging pop hooks, studio creations and how demos might impact songwriting, unplugged, his idiosyncrasies and accessibility, artists who evolve, over articulation of one’s intent, message control and Donald Trump, “Stoned Out of My Mind” by the Chi-Lites, the twigs of today won’t defend themselves against the seventies, inequalities and protest songs on the new record, era-ambiguous production, Twig’s other amazing band Darlene Shrugg, Young Guv, moving on from Tropics, how Darlene Shrugg influenced the new Twig record and their future plans, Ice Cream, touring plans, a Pleasence Records cassette, the song “Fog of Sex (N.S.I.S.),” and then there was a fadeout killer.

Related links: slim-twig.com dfarecords.com vishkhanna.com

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SlimTwig

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News Podcast

Ep. #196: José Miguel Contreras of By Divine Right

José Miguel Contreras is a multi-instrumentalist, producer, actor, film composer, and amazing songwriter currently based in Toronto. Contreras is best known as the only consistent member of By Divine Right, a tremendously significant band whose past contributors include Feist and musicians who went on to form Broken Social Scene, Holy Fuck, and Sheezer among many others. By Divine Right’s first show took place in June 1990 and, on July 1, they celebrate their 25th anniversary with a big, all-star concert at Toronto’s Harbourfront Centre, featuring past and current members and other special guests. By Divine Right are also returning to the Hillside Festival on the July 24-26 weekend and will release a new record this year as well. Here, José and I talk about being in bed, freshening and boning up, the history of BDR, when they sucked, when they ruled, wanting and not wanting people to be in BDR’s revolving door lineup, Lysh and Geordie, Mark Goldstein on drums forever, the three-night stint with Change of Heart I saw in Guelph in 1997, getting going with a tape and touring with the Inbreds, the first person to ever leave BDR, the only time BDR might ever stop for good is now, the chemistry, the differences between Toronto and the internet in 1990 and now, seeing high school mate Hayden succeed, the importance of James Ogilvie, finding cool sounds, playing with Mark and James could be a bit dirty, Guelph’s Trasheteria, Dallas Good and drugs, going to high school with Sean Dean, born in Chile on John Lennon and Sean Lennon’s birthday, Yoko Ono might be creepy for not suggesting John hang out with the Beatles every once in a while, Chilean folk music and the Monkees, Beatles comps, where does happiness come from, finding your purpose, bliss bubbles, growing up in Thornhill and attending high school with Jian Ghomeshi who could be weird, Jian’s little black book, playing Jian’s high school show Swé, José’s role in the new film Porch Stories, his co-star Laura Barrett, the film’s plot and themes, acting again, music for him versus music for BDR, upcoming solo and BDR releases, leaving the Beaches for the west end, Divine @ 25 at the Harbourfront Centre, “itineration,” juicy past band members taking part in this thing, two hours of BDR, figuring out my role in this event, playing Hillside again, the song “More Thorns,” and that was it.

Related links: bydivineright.ca vishkhanna.com

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