Tag: Toronto

Ep. #1095: Holy Fuck

Post author By vish
Post date May 19, 2026

Brian Borcherdt, Matt Schulz, and Graham Walsh from Holy Fuck are here to discuss their new album Event Beat, moving back to Toronto and leaving New York City for Ohio, receiving noise complaints from studio neighbours because of the band Slayer, the growing trend of musicians not having access to isolated practice spaces, whether a hiatus ever placed the band’s future in doubt, making music for fun but also for other people to party to, the impact of having their songs placed in films and tv shows, writing thoughtful lyrics for textured singing, a tribute to compact discs, playing many shows, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1093: Spencer Krug
Ep. #1079: MEMORIALS
Ep. #1074: Status/Non-Status
Ep. #939: Contrived
Ep. #653: Dorothea Paas, Brian Borcherdt, Anyika Mark, Ruth Belay, Ani Castillo on Long Night
Ep. #519: Holy Fuck
Ep. #211: Julie Fader & Graham Walsh of Etiquette
Ep. #201: LIDS
METZ (2010, 2012) – Teaser
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News Podcast

Ep. #1092: Weird Nightmare

Alex Edkins returns to discuss the new Weird Nightmare album Hoopla, leaving Toronto to live in his childhood hometown of Ottawa, how touring and work travel can be difficult for a husband and a father, why the Buzzcocks and the Replacements inspired this latest batch of songs, the time a broken up METZ played Everybody’s Live with John Mulaney at the host’s request and interacting with him and Conan O’Brien, his thoughts on the end of METZ, recording with killer rhythm section Loel Campbell and Roddy Kuester and with producers Jim Eno and Seth Manchester, why he wrote such sentimental, nostalgic songs about his youth, upcoming shows, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1056: ‘Plenty for All: The Art of Rick Fröberg’ with Sohrab Habibion & Johnny Temple
All Things Konsidered: The Beatles Anthology
Ep. #1040: The Replacements’ ‘Let It Be (Deluxe Edition)’ with Peter Jesperson, Jason Jones & Elizabeth Nelson
Ep. #1029: Julianna Riolino
Ep. #963: Destroyer
Ep. #939: Contrived
Ep. #914: American Football
METZ (2010, 2012) – Teaser
Ep. #854: METZ
Ep. #700: Spoon
Ep. #687: Weird Nightmare
Ep. #570: METZ
Ep. #351: METZ
Ep. #322: John Mulaney
Ep. #201: LIDS
Ep. #184: METZ

News Podcast

Ep. #1086: The Sadies & Billy Ray

Post author By vish
Post date April 16, 2026

Mike Belitsky and Travis Good from the Sadies and Dave ‘Billy Ray’ Koster are here to discuss Live at 6 O’Clock by Gord Downie, The Sadies, and the Conquering Sun, Billy’s long and all-encompassing tenure in the working lives of Downie and the Tragically Hip as a technical director and confidante, how the Sadies and Downie connected and why he was so fond of playing with them, a look back at Downie’s first solo album Coke Machine Glow and him asking Travis to play on it, Downie’s deep love for artists like Fucked Up and Daniel Romano, insights about this collaboration and what the late Gord Downie and Dallas Good may have felt about it, when Downie planned to run the stage light show himself, poignant reasons for picking songs about ghosts and sadness for this live record primarily consisting of songs by other artists, further insights into how the Tragically Hip viewed Downie’s work outside of the band, Downie’s penchant for incorporating conversations and experiences he shared with Billy into his lyrics, the story behind “Introduce Yerself,” whether we may hear more unreleased music by Downie and the potential for Sadie to make a new album, upcoming tour dates, other future plans, and much more.

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1085: Richard Reed Parry
Ep. #1083: Rheostatics
Ep. #1082: Joe Pernice
Ep. #1071: Buck 65
Ep. #971: Change of Heart
Ep. #892: Fucked Up
Ep. #889: Rick White and The Sadies
Ep. #880: Guided By Voices
Ep. #842: Daniel Romano’s Outfit
Ep. #821: Kurt Vile
Ep. #744: Don Pyle
Ep. #590: Bob Young
Ep. #496: Iggy Pop