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Ep. #224: Ian MacKaye & Steve Albini (Part II)

Ian MacKaye is known for being in bands like Minor Threat, Embrace, Fugazi, and the Evens and he co-founded the Washington D.C. based label, Dischord Records. Steve Albini has sung and played guitar in bands like Big Black and Shellac of North America and he owns and operates the renowned recording facility, Electrical Audio, in Chicago, Illinois. In this second of a two-part moderated conversation between Ian and Steve, we discuss the Independent Rock Music Label Festivals organized by Heather Whinna in Chicago that featured Fugazi, Shellac, the Make-Up, Blonde Redhead, and the Ex, Jay Ryan, the Rainbow Roller Rink and the Congress Theatre, confidence versus leadership, Ian on Steve’s interviews, how disempowered people feel, Ian doesn’t talk shit about people like Marc Ribot, exemplars, why Steve might call someone out on a position or argument, critiquing your own community, relating to “political correctness” today, the Reagan Revolution and ‘to care is selfish,’ being decent toward other people, biases and presumptions, the Fugazi song “And the Same,” which includes the lyric, “Yes, I know this is politically correct…,” derailing progression, charity was selfish and greed was good, growing up in D.C. without encountering many Republicans, Democrats can’t go radically left, why musicians play music, being attacked by others, Sylvester Stallone, the Urban Outfitters/Minor Threat thing and aquarium warfare, online pile-ons and Henry Rollins and Robin Williams, Steve defends Henry, internet distractions, making sense of the age of outrage, access and speed, super communication and one-way communication and real-life communication, anonymity, the Butthole Surfers, metrics, I can’t even, Steve belongs on twitter, the way Ian demonstrated how to be a decent, thinking person, the punk rock lawyer, creeping professionalism, custodial and active responsibilities, Dischord Records and Electrical Audio, the music scene in Chicago, it’s nice to be right, work and love, people don’t own their own time, the big payback, “The People’s Microphone,” and that was that phone call.

Related links: dischord.com electricalaudio.com vishkhanna.com

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Ep. #197: Nels Cline

Nels Cline is an American multi-instrumentalist and one of the world’s most renowned and inventive guitar players. Best known these days as a member of the popular Chicago band Wilco, Cline has collaborated with hundreds of musicians, most often within the realm of jazz or improvised music, but also touching upon almost every music genre human beings currently comprehend. Near the beginning of this century, Cline started a new free jazz ensemble called the Nels Cline Singers, featuring drummer Scott Amendola, bassist Trevor Dunn, and percussionist Cyro Baptista, and to date, they’ve released six albums, including 2014’s Macroscope. The Nels Cline Singers are playing at Guelph, Ontario’s Hillside Festival during the weekend of July 24 and here, Nels and I discuss being back in New York City after playing Wilco’s Solid Sound Festival, MassMoCA and the state of Massachusetts, Chicago music festivals, 318 Canadian music festivals, catching up to Europe, music and social skills and community building, punishment, curating Solid Sound, Jeff Tweedy and Tony Margherita, the new Solid Sound documentary Every Other Summer, when the Nels Cline Singers get together to play, the expanded NCS, Marc Ribot’s open letter to Steve Albini about copyrighting art, the vague notion of making the latest NCS album Macroscope, the 1970s and high school, the Weather Report, Herbie Hancock, MIles Davis, Yuka Honda and Cibo Matto’s new record Hotel Valentine, playing in Cibo Matto, being a dad and not knowing or being able to do anything, proteck ya neck, a terrible nerve pinch, being there when ‘there’ is in Wilco, more people are coming out to see Nels play outside of Wilco these days, the Grand Canyon Suite by Ferde Grofé, hearing classical Indian music in grade 10, hearing Jimi, an entire side of Ravi Shankar goes a long way, visiting India, touring modern, his guitar style or lack thereof, classical Indian sitar elements within his playing, various influences, drones, rising music stars and great younger guitarists, buying new CDs, Julian Lage, the forthcoming double-album of orchestrated ballads called Lovers that Nels has been working on for two decades, at least one of these ballads is by Sonic Youth, it should be out by January, working with John Zorn, new Singers stuff, scoring a new documentary about veteran suicide with Yuka, trying to guess how many records Nels has appeared on, new Wilco recordings and their state of completion, the Mack Avenue record label, the song “Respira,” and so the raga is over.

Related links: nelscline.com vishkhanna.com

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Ep. #107: Friendly Rich

Friendly Rich is a strange but great man who originally hails from Brampton just outside of Toronto, Ontario. He is a singer, songwriter, educator, impresario, and instigator who has released 10 albums to date, including his latest, Bountiful, which is out on June 24 via the Pumpkin Pie Corporation. Friendly Rich and his band will celebrate its release with a show at the Horseshoe Tavern in Toronto on July 24, which follows a sojourn across Europe in June and July. Friendly Rich recently visited me at my home where we had a spirited chat about prepping for a walk down to the Guelph Farmer’s Market, the joys of Eric the Baker, how my son doesn’t want to be on the show, how my wife and I don’t like carrying our son anymore, Goldie Hawn, John Cage, and Silence Guelph, living in Oakville, petunia spotting, the impact of the provincial election on Guelph, Rich gets self-conscious meeting the general public on our interview stroll, a firetruck at a crosswalk, the Regent Park School of Music and Saturday Night Live’s Hal Willner and Kevin Drew and Daniel Lanois, the Brampton Indie Arts Festival was a visionary thing, pranking bad mayors, my son the difficult interview subject, Mark Mothersbaugh of Devo and Marc Ribot, when the BIAF got different, slaughtering lambs in Brampton garages and filling blue boxes full of red blood, why is Friendly Rich so weird, Nudetella, infiltrating the system with subversive performance art, running into Charlie Cares busking, Raynaud’s syndrome, Rich drops a fiver inside Charlie’s case, Charlie sings us “Wildwood Flower,” locking things up, running into musician/NDP candidate/Hillside Festival founder James Gordon and peppering him with the tough questions, Arthur MacInnes has a nice shirt and is an old, Fugazi road-trip buddy, Meral the Turkish food chef whom I still owe a dollar, delicious böreks, the “Sausage Samba” saga, regulation sausage in Germany, combining the worlds of Star Trek: The Next Generation and sausage auditing for a music video that has been championed by Funny or Die and Team Coco, running into visual artist Gillian Wilson who should not be a stranger, my wife needs money, Gregory Pepper is cleaning out the eavestroughs, Art on the Street, goat’s milk, Pierre Elliott Trudeau’s death train, “Penis Suitcase” and the super strange funeral ritual of the king of Zambia, my son eats peppers like they’re apples, darkness and childlike innocence, running into Matt Collins formerly of Ninja High School and currently in the band Dutch, my former linemate Bruce Lynn, still clamouring for Eric the Baker, getting Rich a Guelph apple and talking to farmers about the apple-splitting trick, making our way to Eric the Baker, Friendly Rich is prolific, purple juice interruption, Adrian Celentano, sausage rolls and blueberry tarts, my guestlist, arriving at Eric’s, Rich buys a chocolate weiner, my son tries to steal some madeleine cookies, meeting Eric the Baker, the song “Penis Suitcase,” et en fin.

Related links: friendlyrich.com vishkhanna.com

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