Tag Archives: Guelph Jazz Festival

Ep. #95: São Paulo Underground

São Paulo Underground is a cultural and stylistic collision between electronica, tropicalia, avant garde jazz, and punk, featuring Chicago Underground Duo’s Rob Mazurek on cornet, harmonium and various effects, and São Paulo’s Guilherme Granado on keyboards, synths, sampler and vocals, and Mauricio Takara on percussion, cavaquinho and electronics. All three men were in town last September for the 2013 Guelph Jazz Festival and we had a chat at a restaurant in Guelph called Ox, where we pondered their latest and fourth album, Beija Flors Velho E Sujo. Wavelength Toronto presents Chicago Underground Duo at the Garrison on Thursday May 1 so it seemed like the right time to dig into the interview archives and present this spirited conversation in which São Paulo Underground and I discuss vocal harmonies on “G-Ball’s Fantasia,” why the band keeps returning to Guelph for the Guelph Jazz Festival, G-Ball’s cheeseburger odyssey and Canadian generosity, their new band and the ol’ dirty hummingbird, Ol’ Dirty Bastard, Sun Ra, and The Wizard of Oz, making an album with Greg “the Shark” Norman at Electrical Audio in Chicago, why SPU get along so well and the wisdom of Pharoah Sanders, G-Ball’s birthday, the band’s 10th anniversary, how São Paulo Underground came together and its connection to the Chicago Underground Duo, the experimental and punk music scenes in São Paulo, the tremendous impact Fugazi had on musicians in Brazil after they played a show there, Mauricio’s collaborations with Fugazi’s Joe Lally and Sonic Youth’s Lee Ranaldo, Kenny from Wellington Brewery offers SPU an SPA, the story of Rob Mazurek, where the Exploding Star Orchestra came from, learning from elder musicians, why Chicago’s music history is out of hand and how the culture there impacted Rob’s wild aesthetic, Chicago bands like Tortoise, Sea and Cake, U.S. Maple, the For Carnation, Gastr del Sol, and the Smashing Pumpkins, bringing the ruckus, Rob’s involvement within numerous musical styles, how punk and jazz make sense together and galvanize people, punk rock free samba yoga, what’s coming up next for São Paulo Underground and Chicago Underground Duo and Rob’s love life, mental preparation before working with legends, beautiful vocal harmonies, the song “Ol’ Dirty Hummingbird” and a nice fade out.

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Related links: cuneiformrecords.com/bandshtml/saopaulo.html vishkhanna.com

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Ep. #31: Jesse Stewart and Hamid Drake

Jesse Stewart and Hamid Drake are world-renowned percussionists and no strangers to the Guelph Jazz Festival, which celebrates its 20th anniversary from Sept. 4-8. Stewart is a Juno Award winner who once called Guelph home and now works as a professor in the School for Studies in Art and Culture at Carleton University in Ottawa. Drake is a Chicago-based jazz and world music virtuoso who is truly a wonder to witness play live–a legendary figure in avant improvised music who incorporates all manner of cultures and genres in his spirited approach to percussion. On Sept. 3, the pair joined Dong-Won Kim, well-known for his work with Yo-Yo Ma’s Silk Road Ensemble and master of the Jang-go and other Korean percussion instruments, and Pandit Anindo Chatterjee, the man known as “the living legend of the tabla,’ for the Guelph Jazz Festival’s World Percussion Summit at the River Run Centre. Afterwards, they spent as much time as possible discussing the show, their history, and their mutual admiration. Their duo record, Timelines, is due out Friday Sept. 6 on Stewart’s new imprint, Art Stew Records, and you can hear the piece “D.U.O. (Do Unto Others)” after our chat.

Related links: jessestewart.ca guelphjazzfestival.com vishkhanna.com

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