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Ep. #1011: Saul Williams

Saul Williams is here to discuss Saul Williams meets Carlos Niño & Friends at TreePeople, performing and improvising while suffering from jet lag, geo-politics and the crumbling American Empire, technology’s impact on socio-political awareness, capitulation, civil unrest, and anti-capitalism, working with Deerhoof and outspokenness in censorious times, his working relationship with Carlos Niño, knowledge sharing and how artists use their platforms, the reception to the film Sinners, touring, many other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #975: Deerhoof
Ep. #900: Fugazi and Jem Cohen
Ep. #874: Mdou Moctar
Ep. #868: Kathleen Hanna
Ep. #799: Allison Russell
Ep. #770: Adam Horovitz from Beastie Boys
Ep. #621: Walking Eagle News’ Tim Fontaine
Ep. #462: Syrus Marcus Ware, Robyn Maynard, Desmond Cole on Long Night
Ep. #427: Maria Bamford
Ep. #390: Beverly Glenn-Copeland
Ep. #347: A Tribe Called Red

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News Podcast

GZA (2008) – Teaser

During my recent conversation with Andy Shauf about the new Foxwarren album, 2, he mentioned that one of his primary production influences for this record was Liquid Swords by GZA. And so now, I present the first interview I ever conducted with GZA. This phoner took place on Monday, October 6, 2008, just before midnight, and was focused on his solo album Pro Tools, and we covered other things too, including whether Wu-Tang Clan might reconcile after their album 8 Diagrams created bad blood in the group. As it happens, Wu-Tang will be launching their final tour, Wu-Tang Forever: The Final Chamber, this summer. This interview originally aired on the Mich Vish Interracial Morning Show! on October 22, 2008.  

To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).

Related episodes/links:

Ep. #978: Foxwarren
Ep. #946: James Brandon Lewis
Ep. #903: David Wm. Sims from The Jesus Lizard
Ep. #778: Protomartyr
Ep. #684: Sleaford Mods
Ep. #358: Wu-Tang’s Mathematics
Ep. #189: Raekwon
Ep. #149: Run the Jewels

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News Podcast

Ep. #938: Daryl Johns

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Daryl Johns is here to discuss his new self-titled album, how an elevated bed is a marker of adulthood, missing Jersey, why Sting cannot possibly be the same guy who was in the Police, how musical technique ebbs and flows in popular music, how he’s been bringing his studio sound to the stage, genre signifiers like “diner rock” and “bubble gum country,” loving sitcom theme music and 1980s sounds, playing shows in New York City, writing new songs, other future plans, and much more.

Support vish on Patreon! Thanks to the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. 
Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.

Related episodes/links:

Ep. #898: Jon Benjamin – Jazz Daredevil
Ep. #886: Chris Corsano
Ep. #878: Ted Leo
Ep. #877: Gastr del Sol
Ep. #870: The Lemon Twigs
Ep. #748: Meg Baird
Ep. #548: Kool Keith
Ep. #80: Mac DeMarco
Ep. #38: Krist Novoselic