Tag Archives: Dischord Records

Ep. #111: Hamilton Leithauser

Hamilton Leithauser is a very talented singer and songwriter who is best known for fronting the acclaimed New York City band, the Walkmen. Last year, the Walkmen announced they’d be taking an extended hiatus after releasing a string of wonderful albums. Before long, members of the band began releasing solo material, including Leithauser. His new album is the startling and wondrous Black Hours, a timeless star-studded pop affair that was released on June 3 via Ribbon Music, and has prompted him to tour including a stop at Hamilton, Ontario’s Supercrawl this September. Here, Hamilton and I discuss NPR’s Tiny Desk concert series, that time I saw the Walkmen play one of their last shows together in Halifax this past October, knocking a tooth out on a microphone, when work on Black Hours first began, why he made a record under his own name, who helped make this album a star-studded affair, the relationship between the conception of this solo record and the end of the Walkmen and why the band is taking a break, Frank Sinatra records, songwriting reversal, a nightclub, night time tone within the phrase “black hours,” Danzig, Self-Pity, growing up in Washington D.C. and seeing Minor Threat, Nation of Ulysses, Fugazi, and other Dischord Records bands, playing punk, working as a studio assistant at Inner Ear studios while Fugazi was recording Red Medicine, not making it into Instrument, being young and apolitical, loving the Make-Up and Ian Svenonius, the Cramps and the Modern Lovers, lead singers versus bands, Chain and the Gang, being in a band or being on your own, not sounding like the Walkmen, the new record’s weird storyline, the bizarre circumstance of the Walkmen’s “extreme hiatus,” trying new things but the Walkmen will likely be back, it’s fun to play, there are already new songs written but there was some writer’s block, working well with others, playing “Mr November” with the National, Hamilton playing Hamilton, Ontario, the song “The Silent Orchestra,” and then Hamilton out.

Related links: hamiltonleithauser.com vishkhanna.com

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Ep. #61: Tony Dekker

Tony Dekker is the well-respected singer, songwriter, and founder of the celebrated Canadian band Great Lake Swimmers. This past fall, Dekker released Prayer of the Woods, his first solo album, and on Feb. 7 he plays the Hillside Inside festival in Guelph, ON. Here, Tony and I discuss why he released a record under his own name, our awesome ringtones, being sideswiped, touring a lot, why he started playing music, his early interest in Dischord Records, Minor Threat, and Fugazi, DIY community building, caring for the natural world and becoming more outspoken as an artist, recording and playing in unusual spaces and tapping into them, coffee and agave nectar, the Woody Guthrie Center, the BP oil spill, the Lake Ontario Waterkeepers, the Great Bear region and the Northern Gateway Pipeline controversy, hiking the Bruce Trail, the “Prayer of the Woods” poem, new Great Lake Swimmers music, the song “Somewhere Near Thunder Bay,” and more.

Related links: greatlakeswimmers.com hillsidefestival.ca vishkhanna.com

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Ep. #19: Ian F. Svenonius

Ian F. Svenonius is one of underground culture’s most provocative singers and thinkers. From leading impassioned Washington D.C. bands like Nation of Ulysses and the Make-Up, writing books like The Psychic Soviet, and serving as the host of the revealing interview show, Soft Focus, Svenonius has left an indelible mark on music, influencing the way many people contemplate and consume it. Late last year, Akashic Books published Svenonius’ faux how-to guide, Super-Natural Strategies for Making a Rock ‘n’ Roll Group and that same year, his band Chain & The Gang released a great album called In Cool Blood, which is available via K Records. Chain & The Gang are performing at SappyFest in Sackville, NB between Aug 2 and 4. Ian and I talk about these things plus music festival culture, band reunions, and more.

Related links: krecs.com akashicbooks.com dischord.com sappyfest.com vishkhanna.com.

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