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Ep. #236: Junior Boys

Junior Boys is the long-standing electronic pop moniker for the work of Jeremy Greenspan, a talented musician based in Hamilton, Ontario. Over the past 17 years, he has written some very sophisticated music, most notably and consistently with a collaborator named Matt Didemus. The latest effort by Junior Boys is a slyly romantic one called Big Black Coat, it’s out February 5 in Canada via GEEJ Records and in the rest of the world, via City Slang , and has prompted them to tour the world over the next few months. Greenspan and I recently caught up at a bar in Hamilton called the Brain, which he co-owns and here we discuss working in spurts, Sam Malone, owning a building on James St. N, the Artcrawl in Hamilton, how the Artcrawl works and where it came from, Heather from the Only, Ken Inouye, the rise of Hamilton and its arts community, the city’s electronic and indie-rock scenes and Sonic Unyon, Al Lanza, getting into classic and progressive rock as a kid, industrial music and sci-fi and cosplay, the earnestness of rock ‘n’ roll, living in England for a year and a half in the mid-1990s, Steve Goodwin of Hyperdub Records, Mark Fisher, a fascination with music made in the 1980s, aggressive tendencies and rave culture, John Foxx of Ultravox, Japan, Orchestral Maneuvers in the Dark, Kraftwerk, rockism and racism towards electronic and dance music, the perception of fun and dance music, choosing words, making outsider pop music, the muse and process behind Big Black Coat, how records become ‘concept records,’ a change in songwriting, doing less work and keeping things raw, immediate lyrics and demos, “baby,” transcribing the lyrics about men you might meet in bars, mild misogyny, the age of outrage and David Bowie, writing as characters, critiquing emotional instability, loneliness, bars are weird places, working with Jessy Lanza and how they influenced one another, song components, working with Matt Didemus as a collaborator in Junior Boys, his relationship with Dan Snaith who performs as Caribou, the popular appeal of Caribou, bringing electronic music to life on-stage, how Junior Boys presents its music, the new record’s only love song, “No One’s Business,” and then no more Brain.

Related links: juniorboys.ca vishkhanna.com

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News Podcast

Ep. #235: Long Night with Tom Power, Deadpan Powerpoint, TUNS, & Michelle McAdorey

This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Saturday January 16, 2016. My guests were CBC Radio’s Tom Power, life gurus Deadpan Powerpoint, Chris Murphy (Sloan), Mike O’Neill (The Inbreds), and Matt Murphy (The Super Friendz) of the new supergroup TUNS, and Michelle McAdorey who performed the title track from her new album, Into Her Future. My sidekick is James Keast and the Long Night house band is the Bicycles. Recorded by Dave MacKinnon. Produced by Long Winter, Vish Khanna, and Joel Garcia.

Related links: torontolongwinter.com vishkhanna.com

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News Podcast

Ep. #234: Michelle McAdorey

Michelle McAdorey is a gifted and iconic Canadian singer, songwriter, and musician based in Toronto. Well known for her role as the lead vocalist of Crash Vegas, McAdorey has cultivated an intriguing solo discography. Her latest record is a lovely collection of folk-oriented rock called Into Her Future, it’s out now via the DWR label, and she’s been playing shows in support of it, including an appearance at Long Winter on Saturday January 16 at the Great Hall in Toronto. Here, Michelle and I discuss a CSI Holiday Pop-Up Market and Social, pop-up culture, our attention spans and substance hunger, the return of the horse, growing up in Toronto’s Beaches area, Lake Ontario, adoption, eating and interviewing, the adoption registry, bastards and Game of Thrones, meeting her birth mother, becoming a mother herself, Patti Smith and Joni Mitchell, bias against working people who have children, artistic impulses are difficult to turn off, singing to your kids is good for your singing, the impact of motherhood on the songs for Into Her Future, a singular love, communication, a CSI sandwich, seeing Crash Vegas on TV, as a kid, the video for “Inside Out,” Another Roadside Attraction, Greg Keelor of Blue Rodeo, Phleg Camp, Eric Chenaux and Gavin Brown, post-punk, business time, major label musical chairs, money is a drag, inoffensive analysis within a small country, Rat-Drifting, full circle, payola, leaving Crash Vegas to experiment, working with Greg Keelor again, playing with James McKenty and Chris Altmann, hitting the road again, reservoir of songs, it’s exciting to always be writing, it gets sketchy, how music is and isn’t valued, doomed to do it, the song “Culvert Jack,” son of a stranger, and then we left the pop-up shop.

Related links: michellemcadorey.com vishkhanna.com

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