Tag Archives: Weaves

Ep. #246: Mauno

Mauno is a wonderfully inventive pop band that hails from Halifax, Nova Scotia. Founded by singer/guitarist Nicholas Everett and singer/bassist Eliza Niemi, Mauno have toured the country but have yet to release their second record, which they’re currently working on and will eventually be dispatched by the Idée Fixe label in Toronto. Mauno are playing some shows in the near future, including an appearance at Kazoo! Fest at a boxing gym on Saturday April 9, as well as shows in Montreal and Toronto on April 7 and 10 respectively. Here, Niemi and Everett discuss a traditional East Coast big ass smoothie, strange weather, a German exam that is paralyzing the city of Halifax, Mauno’s upcoming hiatus, Eliza heads to Germany, European studies, Nick of all trades, Nick is from London and Eliza is from Toronto, looking for a boat, Andy Magoffin and the House of Miracles, the Etobicoke School of the Arts, cello and prog-rock, Eliza is very good at music, bass is bass, Mike O’Neill of the Inbreds, Mauno’s discography, the late former Toronto Mayor Rob Ford and the Ford family, Rheostatics, Emily Haines, Cold Specks, Nick’s four high schools, loving Rush, the Embassy in London, learning things from each other, a botched, rain-soaked marriage, Bryn was involved in theatre, the origin of Mauno’s idiosyncratic sound, influences, seeing Weaves in Newfoundland, driving without listening to music, silence, Mauno’s songs and their new record, Mauno’s new four-piece configuration, long distance musical collaboration, Mauno’s upcoming shows in Montreal on April 7, Guelph on April 9, and Toronto on April 10, their barren bandcamp page and weird stuff @grampamauno on instagram, the song “Nothing,” and nothing else.

Related links: mauno.bandcamp.com vishkhanna.com

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Ep. #153: Jasmyn Burke of Weaves

Jasmyn Burke is the lead singer and co-founder of a great young band from Toronto called Weaves. If electronic, synthesizer-driven bands might be called computer music, Weaves make Internet rock—an open-minded, all-encompassing pop music that’s infused with all of the sounds and information that is currently available. They have received accolades from Canadian and U.S. media outlets and released their first EP this past April 1. On December 12, Weaves are playing Stay Out of the Mall XIII with METZ and Badminton Racquet at the Ebar in Guelph and here, Jasmyn and I discuss hanging out at her parents’ house in Ancaster Ontario, actually being raised in Toronto, making music the way you listen to music, being difficult to pigeonhole artistically, working with Morgan Waters who’s the Rosetta Stone of musical collaborators and translates her ideas into more of a pop framework, Dr. Ew, when bands like Alvvays and Weaves do well, playing in Rattail, Jasmyn’s nerves and overcoming performance anxiety rituals, introverts who become front people, no one’s going to die, growing up in Weston, the boring ‘burbs, a penny-farthing tattoo, suburban hunger, seeing someone play a Neil Young song and loving Bob Dylan, Hot Monogamy, having a passion for creating strong vocal melodies and lyrics, discovering your own voice, always loving Toronto and believing in its supportive underground music community, Drake, the city of Toronto’s notoriety of late, we do need another hero, insidious search history ads, Toronto pet peeves, avoiding condescending ghettoization, sometimes the less we talk about a problem, the more quickly it goes away, feeding off the tension about the differences between us, why Weaves release singles every few months rather than a full LP, batch versus incremental recording, writing and recording all of the time, the album will be dead, the Weaves album will be deadly, opening for tUnE-yArDs at Massey Hall, Merrill Garbus is super nice, not working much, not complaining, travel and recording plans, seeing Bob Dylan live, the song “Shithole,” finding alien song ideas in your iPhone Voice Memos, and that’s it.

Related links: weavesband.com buzzrecords.ca vishkhanna.com

weaves

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