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Ep. #197: Nels Cline

Nels Cline is an American multi-instrumentalist and one of the world’s most renowned and inventive guitar players. Best known these days as a member of the popular Chicago band Wilco, Cline has collaborated with hundreds of musicians, most often within the realm of jazz or improvised music, but also touching upon almost every music genre human beings currently comprehend. Near the beginning of this century, Cline started a new free jazz ensemble called the Nels Cline Singers, featuring drummer Scott Amendola, bassist Trevor Dunn, and percussionist Cyro Baptista, and to date, they’ve released six albums, including 2014’s Macroscope. The Nels Cline Singers are playing at Guelph, Ontario’s Hillside Festival during the weekend of July 24 and here, Nels and I discuss being back in New York City after playing Wilco’s Solid Sound Festival, MassMoCA and the state of Massachusetts, Chicago music festivals, 318 Canadian music festivals, catching up to Europe, music and social skills and community building, punishment, curating Solid Sound, Jeff Tweedy and Tony Margherita, the new Solid Sound documentary Every Other Summer, when the Nels Cline Singers get together to play, the expanded NCS, Marc Ribot’s open letter to Steve Albini about copyrighting art, the vague notion of making the latest NCS album Macroscope, the 1970s and high school, the Weather Report, Herbie Hancock, MIles Davis, Yuka Honda and Cibo Matto’s new record Hotel Valentine, playing in Cibo Matto, being a dad and not knowing or being able to do anything, proteck ya neck, a terrible nerve pinch, being there when ‘there’ is in Wilco, more people are coming out to see Nels play outside of Wilco these days, the Grand Canyon Suite by Ferde Grofé, hearing classical Indian music in grade 10, hearing Jimi, an entire side of Ravi Shankar goes a long way, visiting India, touring modern, his guitar style or lack thereof, classical Indian sitar elements within his playing, various influences, drones, rising music stars and great younger guitarists, buying new CDs, Julian Lage, the forthcoming double-album of orchestrated ballads called Lovers that Nels has been working on for two decades, at least one of these ballads is by Sonic Youth, it should be out by January, working with John Zorn, new Singers stuff, scoring a new documentary about veteran suicide with Yuka, trying to guess how many records Nels has appeared on, new Wilco recordings and their state of completion, the Mack Avenue record label, the song “Respira,” and so the raga is over.

Related links: nelscline.com vishkhanna.com

nelsclinesingers

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News Podcast

Ep. #190: Lee Reed

Lee Reed is a riveting and uncompromising hip-hop artist from Hamilton, Ontario. Once a member of the powerful group Warsawpack, Reed has released three politically-charged solo albums, including his latest, The Butcher, The Banker, The Bitumen Tanker, which is available now via leereedrevolt.com. He’s playing the Hillside Festival in Guelph during the weekend of July 24 and here, Lee and I discuss the city of Hamilton and Kathleen Wynne’s one billion dollar promise to bring light rail transit to town, gentrification, people moving to Hamilton while other people are being displaced, the severe classicism within the city, action versus reaction, contributing to discussions more than ushering them along, learning more about and carefully scrutinizing Canada’s disturbing social and political history, this country’s large role in resource extraction, how the Indian Act inspired South African apartheid, writing the new record pretty quickly, punk rock, his relationship to more materialistic or problematic aspects of hip-hop culture, Public Enemy’s Yo! Bum Rush the Show, Kanye West and Mike Myers, old school production, flossing and being a chubby old white dude, trying to breakthrough with ‘fringe’ messages in the Canadian hip-hop community, Hamilton’s supportive music scene, making art for love, catchy political music, accessibility, hopelessness, greed, we just suck, The Butcher, The Banker, The Bitumen Tanker is #1, the Rebel Function, Mother Tareka and Flotilla, working a good day job, the song “Fuck Ya,” and that’s all.

Related links: leereedrevolt.com hillsidefestival.ca vishkhanna.com

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Ep. #118: Steve Sladkowski of PUP

Steve Sladkowski plays guitar and sings in a Toronto punk-infused pop band called PUP. Originally called Topanga, PUP changed their name ahead of releasing their first, self-titled debut album, which is out now via Royal Mountain Records. PUP plays Guelph’s Hillside Festival on Saturday July 25. Here, Steve and I discuss staining fences in Toronto, living in Guelph and putting on shows and working for the Guelph Jazz Festival, touring the U.S. with the Menzingers, single A baseball in Iowa, America is weird, this is Texas, talking to Americans about baseball, the Oakland A’s and Moneyball glitches, regular seasons are a drag, why the Skydome sucks and seeing baseball in America rules, I don’t think I like Toronto, talking to people outside of Canada about Rob Ford, playing ska-punk, Protest the Hero, the 3tards, and the Reverb, working with Dave Schiffman on the PUP record, pathetic use of potential, Toronto punk is thriving, when Weezer was wonderful, my membership in the Weezer fanclub and contributing “Mykel and Carli” to its first covers compilation, Rivers Cuomo goes back to the shack, impersonating Fucked Up at the Halifax Pop Explosion, feeling honoured to get to do cool stuff, it comes and goes, self-promotion, not needing day jobs but working harder than ever, their Polaris Music Prize nomination, the status of hard music in Canada, Peter Bradley is in Alaska, Constellation Records, forced conversation, Tanya Tagaq should win awards, PUP’s new songs, throwing down, writing songs in extreme emotional places, marrying real-life with fictional narratives, the song “Guilt Trip,”  and then it is outta here!

Related links: puptheband.com royalmountainrecords.com hillsidefestival.ca vishkhanna.com

puptheband

 

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