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Ep. #200: Daniel Lanois

Daniel Lanois is a world-renowned musician, songwriter, and producer who splits his time living between Ontario and California. A multi-Grammy winning producer who has had a vital influence on key records by Bob Dylan, U2, Emmylou Harris, Peter Gabriel, and Neil Young, Lanois is also a pioneer of ambient music and one of the finest songwriters in Canada. His latest album is 2014’s Flesh and Machine, an adventurous record of processed instrumentation, which is available via Anti- Records. He performs solo at the Hillside Festival on the weekend of July 24 and here, Daniel and I discuss his studios in Los Angeles, Toronto, and Jamaica, the through line between early collaborations with Brian Eno and Flesh and Machine, manipulating and processing conventional instruments to create wholly new sounds, Brian Blade is a hell of a drummer and a dear friend, Daniel’s motorcycle accident in which he broke 10 bones, a Canadian motorcycle club, “The End” and “Beautiful Day,” conveying information via music and/or lyrics, plans to play a rare solo show at Hillside, planning for the workshop with Nels Cline Singers and Elaquent, ambient music as a term and communicating with Brian Eno about playing a show together, Bob Dylan and the swamp, making Time Out of Mind, the night Dylan came to his house to play him every song from the sessions that yielded the album Shadows in the Night, Dylan’s voice, steel guitar excursions, the song “Iceland,” and then where will I be?

Related links: daniellanois.com hillsidefestival.ca vishkhanna.com

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News Podcast

Ep. #187: Mike Sacks on David Letterman

Mike Sacks is a respected journalist and humour writer whose work has appeared in many of America’s top periodicals. He’s a member of the editorial staff at Vanity Fair and has written three books including two acclaimed and mind-blowing interview collections, 2009’s And Here’s the Kicker: Conversations with 21 Humor Writers About Their Craft and 2014’s Poking a Dead Frog: Conversations with Today’s Top Comedy Writers. With David Letterman’s retirement as a TV talk show host imminent, it seemed like a good time to gain more insight about what this means for comedy so here, Mike and I discuss Brooklyn and My Little Pony, attending one of the last tapings of the Late Show with David Letterman, growing up with Dave, watching and taping Letterman as a kid and then reciting his jokes to other kids, observing Reese Witherspoon and fakery, encountering Letterman after the taping, the end of an era and connecting with someone, real time and in the moment with great TV, attending a Letterman taping and seeing all the behind-the-scenes stuff, Norm Macdonald’s amazing tribute to Dave this past Friday night, Letterman’s impact on comedy and kids who watched him and acted and spoke like him, a Letterman bias, Merrill Markoe’s tremendous role on Late Night with David Letterman, Dave admitting that he’s been outta the loop the last few years, coasting, NBC to CBS, Letterman’s stunt-free power and great interviewing skills, Jay Leno, Jon Stewart, and Stephen Colbert, silence and listening, how the world of comedy views Jimmy Kimmel and Jimmy Fallon, subversive comedy lives on the radio and in podcasts, Scharpling, Wurster, and the Best Show, 12:35 AM versus 11:35 PM, Leno’s edginess, Conan O’Brien was pushing the envelope even on the Tonight Show, the tempering of Letterman’s show at CBS, the resilience of the late night TV talk show format, tradition, the dullness of certain interviews as opposed to real talk, Letterman says he might do a podcast, what will happen to TV and comedy when Letterman leaves, youthification, historical comedy, the greatness of Poking a Dead Frog, writing a crime book and/or collaborating on a comedian’s memoir, not chasing a Letterman interview, the Harry Shearer versus The Simpsons fiasco, Letterman’s final episodes feature Tom Hanks, Eddie Vedder, Bill Murray, and Bob Dylan, predicting what the final episode will consist of, anyone can do anything but not everyone can do everything, @michaelbsacks, and that’s all kids.

Related links: michaelsacks.com vishkhanna.com

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Ep. #180: Phosphorescent

Phosphorescent is the moniker of Matthew Houck, a prolific and well-loved singer and songwriter who calls Nashville, Tennessee home. Initially based in Athens, Georgia, Houck began releasing music as Fillup Shack before working under Phosphorescent and releasing seven acclaimed albums with different collaborators. In December 2013, after eight months of touring behind their album Muchacho, Phosphorescent played a four-night homecoming stand at the Music Hall in Brooklyn where Houck lived at the time, with sets that touched upon all of their records up to that point. This past February, Dead Oceans released an explosive document of those shows with the triple LP, Live at the Music Hall, and here, Houck and I discuss moving to Nashville recently, spending time in Australia, David Berman and Harmony Korine sightings, that one time I was in Nashville with Royal City in the year 2000, listening to tapes of live shows, setting up this Brooklyn residency to maybe capture a live record, expending creative energy on a project like this, experiencing a shift in the songs night after night, Hard Rain by Bob Dylan, concerts saved the music industry so live albums must be saving the record industry and the concert industry, the cool album packaging and cowboy cover, dressing the part, getting into music as a kid and knowing one’s path, not always working well with others, being married to an organ player, his relationship with his fans, when Willie Nelson phones your phone, spending time on his bus, having a baby and not knowing what’s next, being a dad, the song “Dead Heart,” and then the show was over.

Related links: phosphorescentmusic.com vishkhanna.com

phosphorescent

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