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News Podcast

Ep. #208: Gary Taxali

Gary Taxali is a gifted and renowned visual artist, author, and illustrator who lives in Toronto. He has exhibited his work in galleries around the world and his images have appeared in many major magazines and advertising campaigns. He also owns his own toy company, Chump Toys, is a teacher at OCAD University, and is one of Canada’s most sought after speakers and lecturers. The Cambridge, Ontario gallery Idea Exchange is exhibiting Here and Now: The Art of Gary Taxali at Design at Riverside until September 20. Here, Gary and I talk about the mysterious tulsi tea that yogis often drink, teaching at the National Institute of Design in India eight months ago, returning to India after many years and not knowing the dialect, Hindi school, seeing Indian movies on Gerrard Street in Toronto’s ‘little India’ as a kid, secretly loving Indian films and culture growing up in Canada, the film Amar Akbar Anthony, assimilation and culture shock as a first generation Canadian, recognizing one’s cachet after high school, Indians in the NBA, the Indian-ness of Gary’s work, parental and family support, his dad the hobby artist, Johnnie Walker, Indian judgment, working for Penthouse and doing a billboard for Levi’s, working collaboratively and the importance of maintaining one’s copyright, ethical considerations, doing fewer illustrations, working with Converse, talking about the Mississippi Delta Blues, Wyatt Cenac and Jon Stewart and white dudes satirizing people of colour, political correctness in art and life, the Bernie Sanders #BlackLivesMatter protesters, punk rock, holding a gallery exhibition between now and the third week of September at Idea Exchange in Cambridge Ontario, Canadians not recognizing achievements by Canadians before international patrons do, watching Kanye West perform at the Pan Am Games, a new solo exhibition called Hotel There at the Robert Levine Gallery in NYC, where the art goes, the Morgan Spurlock story, a Mike Myers story, my print of Gary’s famous work OH NO., the future, and that was it.

Related links: taxali.com ideaexchange.org vishkhanna.com

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garytaxalilecture

 

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News Podcast

Ep. #207: Slim Twig

Slim Twig is the moniker for a young man from Toronto named Max Turnbull who’s a noted actor and musician. Over the past 10 years, he has released a lot of challenging, artful pop music in projects like Tropics, Archaic Women, Plastic Factory, U.S. Girls, Darlene Shrugg, and of course, Slim Twig. His most recent Slim Twig album is a challenging yet accessible blast of psych-pop called Thank You for Stickin’ With Twig, which is available via DFA Records. Here, Max and I discuss his parents’ house in Toronto, the internet and its trappings, drugs, Slim Twig’s cover of Serge Gainsbourg’s song ‘Cannabis,’ not making stoner rock, self-awareness and external perceptions and leading the discussion about your own work, anti-fundamentalism, self-defence, media distillation and brevity, wearing one’s influences on one’s sleeve, gratitude on the new album, tongue in cheek, submerging pop hooks, studio creations and how demos might impact songwriting, unplugged, his idiosyncrasies and accessibility, artists who evolve, over articulation of one’s intent, message control and Donald Trump, “Stoned Out of My Mind” by the Chi-Lites, the twigs of today won’t defend themselves against the seventies, inequalities and protest songs on the new record, era-ambiguous production, Twig’s other amazing band Darlene Shrugg, Young Guv, moving on from Tropics, how Darlene Shrugg influenced the new Twig record and their future plans, Ice Cream, touring plans, a Pleasence Records cassette, the song “Fog of Sex (N.S.I.S.),” and then there was a fadeout killer.

Related links: slim-twig.com dfarecords.com vishkhanna.com

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SlimTwig

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News Podcast

Ep. #206: Faith No More’s Billy Gould

Billy Gould is a musician, songwriter, and producer who originally hails from the state of California. Throughout his life, Gould has played in bands like Brujeria, Jello Biafra and the Guantanamo School of Medicine, Fear and the Nervous System, and more, and he also started his own label, Koolarrow Records. But Gould’s most impactful work to date is in the band Faith No More, an idiosyncratic and subversive rock band he co-founded in 1981. After an 11 year hiatus, Faith No More reunited in 2009 and have toured the world sporadically ever since. This past May, the band released Sol Invictus, their first new album since 1997 and the first on their own imprint, Reclamation Records. They’ll continue to tour over the next few months, including Canadian stops at the Ricoh Coliseum in Toronto on August 7 and Heavy MTL in Montreal on August 8.  Here, Billy and I discuss life in San Francisco with little sun and lots of tech, the city’s wild political and civil history, travelling to Austin and touring as much as possible over the past six years, getting Faith No More back together, meeting fan expectations and being better, starting a record label and working with cool international bands, Faith No More’s new record label, creative control, whether or not general audiences today are more open to being challenged by music, music festival globs, how we entertain us, the reception, writing and producing Sol Invictus, band geography, tapping into sounds he doesn’t hear, darkness and reality in a shiny city, John Lennon/Plastic Ono Band, heavy and catchy, Faith No More and a tipped over potato truck, fate no more, tension forever, it’s business time, fan demand, boxing, knowing one’s limits, touring with Refused, the song “Separation Anxiety,” and this is it.

Related links: fnm.com vishkhanna.com

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photo by Dustin Rabin