Categories
News Podcast

Ep. #227: John Wright & Frank Barnes of Compressorhead

John Wright is a founding member, singer, songwriter and drummer in British Columbia’s Nomeansno, one of the greatest rock and roll bands in the history of great rock and roll bands. Frank Barnes is an artist who specializes in robotics and is the mind behind innovative projects like Robocross and Drummer. Barnes is part of a team based in Germany working towards creating a completely robotic punk band called Compressorhead, which consists of a guitarist named Fingers, a drummer named Stickboy, a bassist named Bones, and at least one occasional human collaborator named John Wright. There’s a Kickstarter campaign in place to raise 290,000 Euros to build Compressorhead a singer and the deadline to donate is Dec. 5. Here, John and Frank and I discuss the Compressorhead practice space in Berlin, replacing Stickboy’s elbow, whether or not John has ever broken his elbow playing the drums, how Frank came to know Nomeansno and the Hanson Brothers and John, when Frank got drunk and approached Rob Wright about his robots idea, John is not Paul Shaffer but is Compressorhead’s musical director, writing songs like the Ramones and Hanson Brothers, whether John has worked with robots before, MIDI, trips to Berlin, how the members of Compressorhead get along with each other and what Stickboy, Fingers, and Bones are really like in robot, Frank thinks his robots are like kids, his collaborators Markus Kolb and Stock Plum, the robot musician origin story, real instruments, what Compressorhead tells us about music production today, how the robots work, robot fish and robot great white sharks and robot grabby arms, Great White, if the robots’ musical tastes will evolve, fearing Compressorhead and what they stand for, Kickstarting and fundraising and obtainium, recording and producing the Compressorhead album, threatening robots, what happens if the campaign doesn’t work, world tours, John’s role in the future of Compressorhead, the status of Nomeansno, dot rocks, Rob’s famous bass amp, inanimate objects that have Facebook pages, the song “Compressorhead,” and that was the end of our very human conversation.  

Related links: compressorhead.rocks nomeanswhatever.com vishkhanna.com

Screen Shot 2015-11-26 at 12.02.50 AM

Listen, subscribe, rate/review on iTunes.

Categories
News Podcast

Ep. #226: Scharpling & Wurster

Scharpling & Wurster is a beloved and very funny comedy duo consisting of Tom Scharpling and Jon Wurster. While they mainly work together on The Best Show radio program and podcast, which airs every Tuesday from 9 pm to midnight ET at thebestshow.net, they’ve been making rare live appearances around North America since the Numero Group released The Best of the Best Show 16 CD box set this past spring. They’re closing out 2015 with three shows at the Mod Club in Toronto on November 28, The Sinclair in Cambridge, Massachusetts on November 29, and Union Transfer in Philadelphia on December 13.  Here, Tom and Jon and I discuss their busy 2015 and doing these live shows, comedy frontman versus drumming in a band, doing Late Night with Seth Meyers and condensing comedy for their appearance on the show, going out a different way, how the Scharpling & Wurster live show works in each city they perform in, whether the stage show is as interactive as The Best Show, what the live show brings out in Tom and Jon, Tom’s confidence, Jon’s physicality, local references, Tom’s history with Toronto and the city’s Best Show fans, their love of SCTV, when Jon met Tom, Tom’s history with Superchunk and Mac McCaughan, how Jon and Tom began working together, “Rock, Rot, and Rule,” the Newbridge infomercial, getting into more TV stuff together, what the Best Show box set meant for the trajectory of the duo, how the new Best Show feels, the future, the phone call “OnStar,” and then we hung up our Skypes.     

Related links: scharplingandwurster.com thebestshow.net vishkhanna.com

Listen, subscribe, rate/review on iTunes.

SW-by-Jason-Marck

BestShowSpread-2

Categories
News Podcast

Ep. #225: Tony Levin of King Crimson

Tony Levin is an accomplished musician who originally hails from Massachusetts. A noted bassist and master of a polyphonic chordal guitar called the Chapman Stick, Levin has appeared on over 500 albums by people like John Lennon, Alice Cooper, Paul Simon, Peter Gabriel, Pink Floyd, Sarah McLachlan, and Lou Reed among others. In recent years, he became a full-fledged member of the pioneering progressive rock band King Crimson, whose current tour includes a three-night stand at the Queen Elizabeth Theatre in Toronto on November 19, 20, and 21. Here, Tony and I discuss the strangeness of being off the road and at home, upstate New York, Big Pink, joining King Crimson in 1981 and staying in the same line-up for some years, being the fifth man in a four-man group, when the band broke up in 1986 and re-formed in 2008, meeting Robert Fripp during the 1976 sessions for Peter Gabriel’s first solo album, working with Robert as a band leader, the drumming of Bill Rieflin, Pat Mastelotto, and Gavin Harrison, musical direction and creative freedom, good and bad bass ideas, Robert’s trust, the meaning and connotation behind “progressive” or “prog rock,” why such bands seem to call upon Tony for sessions, Lawrence Gowan, punk and prog rock, playing bass on John Lennon’s final album Double Fantasy and what he and those sessions were like, revered musicians are normal people, not navel-gazing or admiring past accomplishments, musicians who predict the future of their own work, King Crimson’s touring and recording plans, playing new material live, “Radical Action” and “Meltdown,” plans an improvisation, touring the strange animal that is Canada, the song “21st Century Schizoid Man,” and that was it.

Related links: papabear.com dgmlive.com vishkhanna.com

Listen, subscribe, rate/review on iTunes.

MusicLA_KingCrimsonPressPic_px626