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Ep. #206: Faith No More’s Billy Gould

Billy Gould is a musician, songwriter, and producer who originally hails from the state of California. Throughout his life, Gould has played in bands like Brujeria, Jello Biafra and the Guantanamo School of Medicine, Fear and the Nervous System, and more, and he also started his own label, Koolarrow Records. But Gould’s most impactful work to date is in the band Faith No More, an idiosyncratic and subversive rock band he co-founded in 1981. After an 11 year hiatus, Faith No More reunited in 2009 and have toured the world sporadically ever since. This past May, the band released Sol Invictus, their first new album since 1997 and the first on their own imprint, Reclamation Records. They’ll continue to tour over the next few months, including Canadian stops at the Ricoh Coliseum in Toronto on August 7 and Heavy MTL in Montreal on August 8.  Here, Billy and I discuss life in San Francisco with little sun and lots of tech, the city’s wild political and civil history, travelling to Austin and touring as much as possible over the past six years, getting Faith No More back together, meeting fan expectations and being better, starting a record label and working with cool international bands, Faith No More’s new record label, creative control, whether or not general audiences today are more open to being challenged by music, music festival globs, how we entertain us, the reception, writing and producing Sol Invictus, band geography, tapping into sounds he doesn’t hear, darkness and reality in a shiny city, John Lennon/Plastic Ono Band, heavy and catchy, Faith No More and a tipped over potato truck, fate no more, tension forever, it’s business time, fan demand, boxing, knowing one’s limits, touring with Refused, the song “Separation Anxiety,” and this is it.

Related links: fnm.com vishkhanna.com

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photo by Dustin Rabin

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News Podcast

Ep. #205: Nick Ferrio

Nick Ferrio is a heartfelt singer and songwriter based in Peterborough, Ontario. A member of the humourous and wise folk-rock band the Burning Hell, Ferrio has emerged as an artistic force in his own right, releasing two seven-inch singles and now two full-length albums that have each been acclaimed by critics, as vibrant contributions to folk and country music in Canada. His latest album is entitled Amongst the Coyotes and Birdsongs, it’s out now via Headless Owl and Shuffling Feet Records, and has prompted Ferrio to play select tour dates, including one at the Hillside Festival in Guelph on the weekend of July 24. Here, Nick and I chat about sweating in Peterborough, touring with the Burning Hell, European trains versus Canadian trains, Mike O’Neill and Go Trains, the ferociousness of love, relationships, what’s going on on Amongst the Coyotes and Birdsongs, Steven Lambke’s songwriting, Mathias Kom and the Silver Hearts and the Burning Hell, country music as a fashionable state of mind, Geoff Berner’s song “Phony Drawl,” growing up in Sutton, Ontario, Nevermind and The Lion King, seeing Dinosaur Jr. opening up for Alanis Morrissette, Wayne Regretzky, the Great One’s cottage, why he’s no longer the Artistic Director of the Peterborough Folk Festival, The Burning Hell getting snubbed in Peterborough, playing the Hillside Festival, the new Burning Hell record, the song “At My Window,” and then Nick stopped loving Vish today.

Related links: nickferrio.com hillsidefestival.ca vishkhanna.com

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Categories
News Podcast

Ep. #204: Michael Franti

Michael Franti is a musician, filmmaker, and humanitarian currently based in California. Emerging as a founding member of Disposable Heroes of Hiphoprisy more than 20 years ago, Franti has cultivated a loyal and large following for his nuanced and positive solo work, fronting his own band, Spearhead. His latest album is 2013’s All People, but he has just released a new single and video for the 2015 song, “Once a Day.” Franti is headlining the Main Stage on Friday July 24 at the Hillside Festival in Guelph and here, we discuss San Francisco weather, living in Edmonton at 15 years old during the winter, opening for U2’s Zoo TV Tour in 1993, the Ed, when U2 was cool, Primus, expressing a range of emotions, music as a form of inspiration, positivity and cynicism, meeting the Dalai Lama, Unrestricted Monk, the song “Once a Day” and how it reflects a health scare involving his son and the love it inspired, the new album, the lowdown on a new documentary about himself tentatively called 11:59, the song “Once a Day,” and that’s it.

Related links: michaelfranti.com hillsidefestival.ca vishkhanna.com

©Jay Blakesberg

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