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Ep. #216: Russell Mael & Alex Kapranos of FFS

Russell Mael and Alex Kapranos are talented musicians who are part of a new band called FFS. Mael originally hails from Culver City, California. Along with his brother Ron, he formed the pioneering electro-pop and prototypical new wave band Sparks in the early 1970s, which went on to achieve chart success and develop a loyal following. Musicians in particular have been drawn to the instrumental and lyrical daring of Sparks, who frequently set trends just by operating outside of the conventions of rock music and experimenting with sounds and theatricality. Kapranos originally hails from Glasgow, Scotland. In 2002, he co-founded the band Franz Ferdinand who remain one of the most popular and influential rock bands in the world. Among their fans are Ron and Russel Mael of Sparks and this mutual admiration has led to the remarkable collaboration FFS, whose self-titled debut came out this past June via Domino Records and will certainly stand as one of the finest albums of 2015. FFS are on a world tour that brings them to Toronto’s Phoenix on September 30. Here, in separate interviews, Mael and Kapranos discuss the Tokyo to Zurich commute, playing to a festival audience instead of a Sparks audience, the reception to FFS, how this collaboration was executed, the song “Piss Off,” mutual admiration, past collaborations with bands like Faith No More, overcoming boring music, working with Giorgio Moroder, making unsuspecting new fans after releasing 23 albums, the scene in California when Sparks began, how we know too much about the music business now, metrics, the Mael’s theatrical backgrounds, their upcoming musical and feature film projects, the long-rumoured Tim Burton/Sparks collaboration on a cinematic musical, infusing music with humour and the perception of such music’s substance, love songs and clichés, “Johnny Delusional,” the FFS Glastonbury performance and performing with Franz Ferdinand, Russell’s impressive singing, finding common ground with Alex Kapranos and Franz Ferdinand, unreleased FFS songs, the song “Johnny Delusional,” seeing Nardwuar the Human Serviette, trading song ideas with Sparks, secretly making the FFS record, unsuccessful super groups, the song “Collaborations Don’t Work,” how music with humour is regarded, the song “Johnny Delusional” and capturing the light and darkness in life, self-seriousness, discovering Sparks at a flea market in Glasgow, why Sparks isn’t as big as they should be, fortunate collaborations, singing with Russell and performing with FFS, the song “Police Encounters,” and then we piss off.

Related links: ffsmusic.com vishkhanna.com

FFS

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Ep. #215: Destroyer

Destroyer is the music-making moniker of Dan Bejar, a very gifted lyricist and musician who originally hails from Vancouver, British Columbia. He has been creating an idiosyncratic kind of pop music as Destroyer for almost 20 years and can also claim membership in bands like the New Pornographers, Swan Lake, and Hello, Blue Roses among others. His latest work as Destroyer is a startlingly great new album called Poison Season, it’s out now via Merge Records, and has prompted him to tour the world over the next few months, including Canadian stops in Toronto at the Danforth Music Hall on September 30 and in Montreal at Theatre Fairmount on October 1. Here, Dan and I discuss sitting in a park in Vancouver, gearing up for tour, inspiration from the road, fiction and film, plays and theatricality, American songwriting and show tunes, whether pop or rock music is inherently theatrical, banal music, writing and performing, Bruce Springsteen and/or Meat Loaf, things Springsteen likes, Joseph Shabason’s sexy sax, Dan’s history with musicals, surreal Indian movies, how Poison Season is a reflection of his true interests, Brecht’s Threepenny Opera and “Mack the Knife,” “I Loves You Porgy,” singing other people’s other songs, Five Spanish Songs, the song “Forces From Above,” salsa disco, bringing the string sections to life, word countometre and sparse vocals, Poison Season is a weird, emotional roller coaster, Times Square as a place and a muse, a second look, evolution and iterations, Taxi Driver, thinking about New York, “Times Square” as an anchor notion on Poison Season, the song “Bangkok,” and scene.

Related links: mergerecords.com/destroyer vishkhanna.com

destroyer-dan-bejar-interview-1800x1200

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Ep. #214: Ani DiFranco

Ani DiFranco is an iconic singer, songwriter, musician, poet, activist, and entrepreneur who currently calls New Orleans home. Born and raised in Buffalo, New York, DiFranco started her own record label, Righteous Babe, when she was 18 and, one year later, released her self-titled debut record in 1990. That auspicious start has led Righteous Babe to become one of America’s most successful independent labels, while the multi-talented, poetic, and outspoken DiFranco is one of the world’s most acclaimed and inspiring musicians. Her latest album is the eclectic and vibrant Allergic to Water, which Righteous Babe released in 2014, and it brings her out on the road over the next few months, including Canadian stops at the Great Hall in Toronto on Sept. 14, the River Run Centre in Guelph on Sept, 15, the Empire Theatre in Belleville on Sept, 17, and the Algonquin Commons Theatre in Ottawa on September 18. Here, Ani and I discuss New Orleans, the Roots of Music kids’ band playing for the President, thoughts on Barack Obama, life in NOLA post-Katrina, helping children via music schools, George W. Bush appearing in the 9th Ward on the 10th anniversary of Hurricane Katrina, supporting politicians and government leaders, the left needs its own Donald Drumpf, the heartening rise of Bernie Sanders, moving to and living in New Orleans, learning to slow down, having and raising children, time and patience and work and rewards, something new in the mixing, early days and spleen rock, the underground folk and roots culture in Canada in the early 90s, moving to Canada, America swinging to the left and staying hopeful, pessimism doesn’t go with parenting, a new song about Obama’s weariness and resolve, the day after Obama was elected President in 2008, Jimmy Carter, slow going on the next record, producing an album of songs by and sung by men in prisons in America, recording some of them over the phone, “Take Down Your Flag” and the Charleston 9, workshopping new songs live, the song “Dithering,” and then we were out of range.

Related links: anidifranco.com therootsofmusic.org vishkhanna.com

ani_difranco

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