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Ep. #279: U.S. Girls

U.S. Girls is the moniker of Meghan Remy who currently calls Toronto, Ontario home. Since moving there from Chicago in 2010, Remy has become a vital part of the city’s music scene and, along with her husband Slim Twig, plays in the excellent band Darlene Shrugg and runs the Calico Corp. label. She is likely best known for her stunning voice, pointed perspective, and startlingly great post-pop work as U.S. Girls, including her acclaimed and most recent album, Half Free, which is on the 2016 Polaris Music Prize short list and out now via 4AD Records. Remy and I recently caught up at Jules’ Café in Toronto’s Kingsway neighbourhood to discuss Jules Café and its wifi and its delectable croissants, just barely Etobicoke, Boxing Day 2010, Chicago and Toronto, Americans thinking about Canada and the rest of the world, facts and fiction and trust, not necessarily the news, overwhelmed by the world, free but only to consume, leaving America and loving Canada, military madness and taxes, health care, because Britain stayed and Canadian reserve, nice not friendly, Canada’s British accent, we’re smart, Toronto’s ahistorical aesthetic, many cranes in the sky, Chicago is grand, it’s hard to be America’s hat, grants and being driven to achieve, gross generalizations, the music media and scams, the regurgitated one sheet, disengaging, anti-intellectualism, being in a military family, John Cassavetes and Bruce Springsteen, cinéma vérité, Springsteen’s rise as an American superstar as he was criticizing America, Springsteen’s empathy and socially conscious gestures, her song “Damn That Valley,” why Meg doesn’t ever vote, the 2000 election and Ralph Nader and Bernie Sanders, the Democratic Party doesn’t really get it, anti-war, the shades of evil, Hillary Clinton and women, revolution and protest and duty, social media’s distracting nature, the internet is everything but still new, MySpace as a touring resource, Silver Apples and Suicide and the Shaggs, the two-piece, when Springsteen covered “Dream Baby Dream,” the Devils & Dust tour, radio on, the Beatles Anthology, Bikini Kill, dealing with male music biz crap as a woman, sound people are cranky, frustrated musicians, the average white American woman, “First World Blues,” problematic self-esteem issues in a digital age, the requisite weirdness of receiving a Polaris Music Prize nomination, the infrastructure and its usual suspects, Darlene Shrugg is the best band and a record is almost done, Simone TB and Tropics, Ice Cream, word of mouth, the new U.S. Girls record with the Cosmic Range, Onakabazien, playing live at the Polaris gala on September 19, the song “Window Shades,” Gloria Ann Taylor, and then I got a croissant.

Related links: yousgirls.blogspot.ca vishkhanna.com

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Categories
News Podcast

Ep. #278: Jane Bunnett

Jane Bunnett is a world-renowned jazz musician and composer who lives in Toronto, Ontario. A Juno award winner and Grammy award nominee, Bunnett is a highly accomplished saxophonist and piano player well known for her incorporation of Cuban music and collaborations with Cuban musicians; her 1991 album, Spirits of Havana, is considered one of the greatest jazz records ever. Her group, Jane Bunnett and Maqueque, release their new album, Oddara, is out October 14 via Linus Entertainment and will be touring throughout Canada and the U.S. between September and November. Bunnett will be appearing at the Guelph Jazz Festival on September 16, as part of Song Everlasting, an all-star tribute to the late pianist, Don Pullen. Jane and I met on the terrace of her Toronto home recently to discuss raccoons, spices, the evolution of a rooming house in Parkdale, where goes the neighbourhood, chains, the Gardiner Expressway, the stupid annual Toronto Air Show, Yours to Discover, attending five different Toronto high schools after attending a free school, painting and clarinet, street tough, music in the family and a new house with a piano, sister Sarah, the youngest kids don’t seem to matter as much, big brother’s music collection, piano lessons and bailing, too much playing and jazz, off she went to San Francisco, Charles Mingus, The Colonial Tavern, Don Pullen, improvisation and the flute, Toronto’s New School of Music and Howard Spring, “Nostalgia in Times Square,” snobby record store employees, Toronto’s underappreciated history as a jazz mecca, Claude Ranger, Mark Miller, ahistorical, a range of instruments, the social aspect of music, Mexico and Cuba, discovering greatness in Santiago de Cuba and Havana in 1982, the great percussionist Guillermo Barreto, her partner and collaborator Larry Cramer, the stories behind her all-female Cuban group Maqueque and their new album Oddara, David Virelles, the spirit and fiery energy of a little girl, NPR’s Tiny Desk Concerts, remembering Don Pullen, In Dew Time, Ajay Heble, the esteemed ensemble playing this tribute, Howard Johnson and Saturday Night Live, the Maqueque song, “Dream,” and that was that.

Related links: janebunnett.com guelphjazzfestival.com vishkhanna.com

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Categories
News Podcast

Ep. #277: Rob Benvie of Bankruptcy

Rob Benvie is a novelist, writer, musician, songwriter, and singer currently based in Toronto, Ontario. Raised in Halifax, Nova Scotia, Benvie has published two acclaimed novels, 2004’s Safety of War, and 2011’s Maintenance, both of which are available via Coach House Books. He is also well known for playing in bands like Thrush Hermit, The Dears, Camouflage Nights, and Tigre Benvie. His latest outfit is called Bankruptcy, which just released a new record called For the Future” on 1.7 Publications. Bankruptcy play Adelaide Hall in Toronto on September 8, 2016 and here, Rob and I discuss Toronto’s blazing hot summer, Montreal, living for the city, caring about Toronto, a penchant for obnoxiousness, not pessimistic, funny or not, irony, prose writing and songwriting, wordiness and Bob Dylan, scrapping it all, Murray Lightburn, states of completion, barf, a meta section, where Bankruptcy came from, Wayne MacPherson, starting the band, democracy, anxiety, addiction, malaise; fortitude, togetherness, optimism, propulsive energy and fun, The Clash and “the only band that matters,” turning to synthesized sounds after Thrush Hermit, Sandinista!, late 90s home recording technology and the birth of Tigre Benvie, how Thrush Hermit worked together and why they broke up, Clayton Park, Rob’s singing, Joel Plaskett, the Steve Miller Band set at Edgefest ’95, Nazareth on MuchMusic, sincerity and detachment, restlessness, maturity, “Swim for the Light” and “Sunday Bloody Sunday,” U2, when Rob initiated the Thrush Hermit reunion tour in 2009, being an angry young man, the Hermit’s lasting legacy and the band’s future, a Clayton Park vinyl release, seeing the Hermit at the Volcano in Kitchener, Bankruptcy plans and a new novel, getting the word out, stuff glut, brown blushing, mature, sincere, and sexual, the song “Barfed-up Candelabra,” and then we headed for the future.

Related links: robbenvie.com bankruptcymusic.com vishkhanna.com

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