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Ep. #289: Lonely Parade

Lonely Parade is a fantastic band from Peterborough, Ontario consisting of Augusta Veno on guitar, Anwyn Climenhage on drums, and Charlotte Dempsey on bass. Formed around five years ago, Lonely Parade are childhood friends and excellent musicians who have toured throughout most of eastern Canada three times already, even though Augusta is 21 and Anwyn and Charlotte are both 18 years old. They’ve earned a loyal following based on their sophisticated, heartfelt, and humourous rock songs. Out this past September, No Shade is their third album and one of the finest records of 2016. The Lonely Parade are playing the fifteenth edition of Stay Out of the Mall on Friday December 16 at the Ebar in Guelph. We actually caught up at the CFRU studios when they were in Guelph this past October for an interesting and revealing chat about the ups and downs of living in Peterborough, teenaged touring and travelling, many states, courses and studying, childhood dance classes together, highland dancing and me in a kilt, a knife in my sock, bad dancing and zoo keeping, Riverview Park & Zoo, getting into music at 11 or 12 years old, leap year aging, when Ani’s dad John played drums in the Celtic punk band Mahones who should not be confused with Ramones, drum maintenance, elementary school jazz band with Ani and Charlotte, not slapping the bass, the Inbreds and Label Obscura, Jill Staveley of the Burning Hell and Trent Radio, Dave Ullrich and Zunior, Mike O’Neill’s bass playing, Augusta’s guitar playing and Girls Rock Camp and reconnecting with Ani and Charlotte and high school, piano playing, performing at their parents’ dinner parties, Yesterday’s Socks and math rock, starting the Toxic Markers five or six years ago before becoming Lonely Parade, dark humour, “My Mom Got Hit On at a Punk Show,” CBC Radio 3, Strokes and White Stripes and formative influences, cool parents, the Tragically Hip’s Trouble at the Henhouse, the cold road, a candle in the car, missing keys and Wax Mannequin and the pocket system, fast food, little scenes, Charlotte the organizer, Girls Rock Camp’s purpose and potency, everyday sexism, ageism, the new album No Shade and working with Jose Contreras, progressing as songwriters, writing about things that used to bug them, new songs, highland dancing, a day planner, Puberty Hands and cruisin’, painting and photography and an art collective, the song “Duck Hunt,” and then the parade was a little less lonely.

Related links: thelonelyparade.com vishkhanna.com

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Categories
News Podcast

Ep. #48: Ben Blackwell of Third Man Records

Ben Blackwell works at Third Man Records, a multi-platform label, record store, venue, and studio in Nashville, Tennessee and he once claimed his business card listed his position as “psychedelic stooge.” Blackwell has also played drums in the Dirtbombs, he runs his own label, Cass Records, and is the official archivist for the White Stripes whose Jack White owns Third Man. As a label, Third Man has been doing some amazing work, releasing cool new records and going deep into history to reissue recordings by important artists and labels like Sun and Paramount Records. In this in-depth conversation, Blackwell and I cover the evolution of Third Man, its emphasis on vinyl and penchant for grand projects and releases, its interest and execution of documenting historically significant musical artefacts, The Rise and Fall of Paramount Records 1917-1932 wonder-cabinet, how sales for vinyl compare to those for CDs, the troubling vinyl shortage, the new Gories record, The Shaw Tapes: Live in Detroit 5/27/88, which Third Man is releasing in November, the song “Real Cool Time” and more.

Related links: thirdmanrecords.com cassrecords.com vishkhanna.com

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