Tag: Toronto

Ep. #118: Steve Sladkowski of PUP

Post author By vish
Post date July 24, 2014

Steve Sladkowski plays guitar and sings in a Toronto punk-infused pop band called PUP. Originally called Topanga, PUP changed their name ahead of releasing their first, self-titled debut album, which is out now via Royal Mountain Records. PUP plays Guelph’s Hillside Festival on Saturday July 25. Here, Steve and I discuss staining fences in Toronto, living in Guelph and putting on shows and working for the Guelph Jazz Festival, touring the U.S. with the Menzingers, single A baseball in Iowa, America is weird, this is Texas, talking to Americans about baseball, the Oakland A’s and Moneyball glitches, regular seasons are a drag, why the Skydome sucks and seeing baseball in America rules, I don’t think I like Toronto, talking to people outside of Canada about Rob Ford, playing ska-punk, Protest the Hero, the 3tards, and the Reverb, working with Dave Schiffman on the PUP record, pathetic use of potential, Toronto punk is thriving, when Weezer was wonderful, my membership in the Weezer fanclub and contributing “Mykel and Carli” to its first covers compilation, Rivers Cuomo goes back to the shack, impersonating Fucked Up at the Halifax Pop Explosion, feeling honoured to get to do cool stuff, it comes and goes, self-promotion, not needing day jobs but working harder than ever, their Polaris Music Prize nomination, the status of hard music in Canada, Peter Bradley is in Alaska, Constellation Records, forced conversation, Tanya Tagaq should win awards, PUP’s new songs, throwing down, writing songs in extreme emotional places, marrying real-life with fictional narratives, the song “Guilt Trip,” and then it is outta here!

Related links: puptheband.com royalmountainrecords.com hillsidefestival.ca vishkhanna.com

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Ep. #114: Nat Baldwin of Dirty Projectors

Post author By vish
Post date July 8, 2014

Nat Baldwin is a talented double-bassist, singer, and songwriter who originally hails from the state of New Hampshire but lives in Maine. Baldwin is a skilled musician who studied with jazz and improvised music giant Anthony Braxton and, for the past decade, he has been a member of the Brooklyn, NY band, Dirty Projectors. In 2011 Baldwin released People Changes, his second solo album, and this year brings us its captivating, lovely follow up, In the Hollows, which is available now via Western Vinyl. Baldwin has a couple of shows in Massachusetts later this month and he plays The Monarch in Toronto on July 24, Casa del Popolo in Montreal on July 25, and Guelph’s Hillside Festival on July 26. Here, Baldwin and I talk about Love Lane, training for a marathon you can’t run and making music, an injured achilles’ heel, losing control of your physicality, the late, American middle/long-distance runner Steve Prefontaine, Nat’s long history of connecting athletic iconography with the music he makes, running rhythms, process-oriented parallels between bands and basketball teams, learning how to play music at 18, running/reading/music regimens, underground literature networks, Barry Hannah, Blake Butler, Lindsay Hunter, Amelia Grey, the song “Cosmos Pose” and bodybuilding, death, playing in a wedding band, Nat’s dad’s band Ben Baldwin and the Big Note, Ray Charles, seeing the Moonbeams sing the national anthem at Celtics games at Boston Garden, Larry Bird, visiting French Lick Indiana and Larry Bird Boulevard, getting into Charles Mingus, Ornette Coleman, Charlie Haden, Cecil Taylor, Albert Ayler, Anthony Braxton, and other jazz heroes, loaning William Parker a dodgy bass amp, losing interest in music, double bass and voice songs, what’s new with Dirty Projectors and David Longstreth’s writing habits, the song “Knockout,” and then we cross the finish line.

Related links: westernvinyl.com/artists/natbaldwin.html vishkhanna.com

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Ep. #105: Zaki Ibrahim

Post author By vish
Post date June 3, 2014

Zaki Ibrahim is a very creative singer and songwriter who splits her time between Toronto and Johannesburg. Over the past decade, she has established herself as one of the most daring and fascinating R&B/electro-pop artists in North America and her heady, sci-fi-infused debut album, Every Opposite, was shortlisted for the 2013 Polaris Music Prize. This Sunday June 8, Ibrahim performs at the Field Trip festival at Fort York in Toronto along with people like Constantines, Fucked Up, Washed Out, Do Make Say Think, Gord Downie and the Sadies, Broken Social Scene and more. A few months ago, Ibrahim and I caught up for a chat just after she played a noon hour concert at the University of Guelph where we discussed microphone checking, our hang-ups about our voices, speaking like someone who’s lived in South Africa and Canada, being mistaken for Jian Ghomeshi on the phone, playing concerts for students at lunch, leading an aerobics class, the sci-fi, African-set narrative of Every Opposite, Nanaimo to Cape Town, the town in British Columbia that has outlawed hand drumming, Diana Krall and Young Galaxy, rumbling tummies, receiving a Polaris Music Prize nomination, getting to Toronto in 2001, living in Johannesburg, deer come, Zaki’s dad was involved with Bush Radio and media education in Cape Town, making radio plays but not necessarily engaging with other media forms, House of Lies with Don Cheadle and Teen Wolf, the internet in South Africa, twitter binges, avoiding categorization musically or otherwise, knowing one’s blackness and being multi-racial or “Canadian,” I subtly quote the Fugazi song “Place Position,” loving pop music by white people, singer and songwriter, being ok with external perceptions of one’s work, performing for old people at lunch, dates, following up on Every Opposite, messing with songwriting and addressing the terms of success, go to wikipedia, proper pronunciation, and that’s it.

Related links: zakiibrahim.co.za fieldtriplife.com vishkhanna.com

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