Tag: Guelph

Ep. #106: Brad McInerney & Mike Deane of Kazoo!

Post author By vish
Post date June 5, 2014

Brad McInerney is a founding member of the Kazoo! concert series in Guelph. which is celebrating its eighth anniversary with two shows in town this week. On Thursday June 5, the Salt Lick Kids are reuniting to play the Jimmy Jazz with Sackville’s Kappa Chow, while on Friday June 6, Esther Grey, my Shadowy Men on a Shadowy Planet tribute band, …FROM a Shadowy Planet, Start Something, and a surprise special guest plays a show at the James Gordon Outreach HQ, located at 32 Essex St. The other day, Brad, his Kazoo! colleague Mike Deane, and I met at Mike’s house in Guelph to discuss things like Kazoo!’s exact eighth anniversary, Ninja High School, Households, the Maynards, Van Gogh’s Ear, 106 Huron St. and house shows, Rockets Red Glare and Jeremy Strachan breaking a bass string in the living room, punk rock squats, Hamilton Ontario, Caledon Village, the Grange St. house/Burnt Oak collective, the hilarious Burnt Oak/No-Fi feud, Ell V Gore, how Kazoo! began, Diamond Rings, transient towns, I start eating dinner, Mike’s history as a show promoter, my amazing job at a car rental company, the Poultry Palace, Montreal was a bust, when Mike met Brad, checking in on my dinner, etiquette, Señor Chipotle, going from playing music to setting up shows, making things better, enriching communities and DIY networks, the influence of Fugazi, selfish community-building, putting Guelph on the map, Rancid, NOFX, and Ramones, Martini, One Flew Over the Cuckoo’s Nest, being in a band as an 11 year-old, Start Something, random notes and delay knobs, Cake Bomb Bolivia, Elbow Beach Surf Club, stopping the rock, Le Cyc and Polydactyl Hearts Collective, let’s start a band, Jazz, nursery school bands, Aaron Levin from Weird Canada, the general health of Guelph’s live music scene, transients and residents, the best Kazoo! Fest ever took place in 2014, selfless community-building, people who stick around town and do/make stuff, Guelph is too white and old, many things in Guelph don’t interest Mike, the overabundance of stuff to do in Guelph, Macdonell St. at 2 AM and pee floods, someone broke into my car and stole my mints, Guelph feels bigger, strangers at shows are good, Brad calls Mike and I on booking our own bands to play this Kazoo! 8th Anniversary show, Don Pyle is a superb drummer, I forgot that I played Kazoo! shows with Wax Mannequin before, a rundown about these anniversary shows, Olive the dog, excitement, the Start Something song “Hard Times,” and then it’s over. Or is it?…

Related links: kazookazoo.ca ticketbreak.com/event_details/7590 vishkhanna.com

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Ep. #103: Culture Reject

Post author By vish
Post date May 27, 2014

Culture Reject is the moniker of Michael O’Connell, a talented singer, songwriter, and musician who calls Toronto home. After years in the Guelph band Black Cabbage, O’Connell eventually went solo and has released two full-length albums as Culture Reject, including last year’s Forces. He and his band are playing the Hillside Festival in Guelph this July 25-27 and a while ago, he invited me to his home for breakfast where we talked about Guelph, Black Cabbage, and the Neutron Stars, sitting down when you pee, rice and peas and coconut milk and spices and hard-boiled eggs and peaches, tropical music, how to reggae it up, Cuba, white guys with guitars, how Black Cabbage happened and compromising, Nick Craine, touring Canada by bus with an ambitious Aaron Riches, tinkering with Culture Reject’s first record, how the new record Forces was made at 6 Nassau St., Tristan O’Malley’s transient, permanently on-loan synthesizer that is never coming home, the mystery lodge, how Forces reflects Toronto, people need to talk to people, misusing “the theme,” communication and modern parenting, the written word is the written word, maybe texting is good for us, maybe phones are bad for us, White Whale Records, the importance of playing great shows, sketch.ca, the song “Quicksand,” and no mas.

Related links: culturereject.bandcamp.com vishkhanna.com

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Tags 6 Nassau St., Aaron Riches, Black Cabbage, Cuba, Culture Reject, Guelph, Hillside Festival, Michael O’Connell, Nick Craine, sketch.ca, the Neutron Stars, the written word, Toronto, Tristan O’Malley, White Whale Records

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Ep. #96: Nathan Lawr

Post author By vish
Post date May 1, 2014

Nathan Lawr is a talented songwriter and multi-instrumentalist who lives in Guelph. Over the past 20 years, Lawr has been a go-to drummer for people like Jim Guthrie, King Cobb Steelie, Royal City, FemBots, Bry Webb, and more. When he emerged as a folk-pop songwriter in his own right about 10 years ago, Lawr’s love songs had bite and topical, political implications, which eventually morphed into his most outspoken band yet, the Afrobeat-inspired MINOTAURS. Lawr is also greatly invested in social change and democracy and has worked with the Canadian Civil Liberties Association to develop the Canadian Artists for Civil Liberties. He has helped organize a 50th anniversary celebration of the Canadian Civil Liberties Association on May 3rd at Trinity St. Paul’s United Church in Toronto, which will feature musicians, spoken word performers, dancers and visual artists who have all come together to celebrate freedom of expression in the arts. Here, Nathan and I discuss ‘Uncle Natey’s Grump Shack’ and cheering up, why he’s working with civil liberties organizations and putting the ‘active’ in activist, how social media doesn’t necessarily encourage dialogue, how freedom of expression is non-partisan, how our freedom was infringed upon in World War I, getting younger/busy people interested in political discourse and fostering opinionated engagement, change and people in the streets, what the Donald Sterling/NBA fiasco teaches us about protective face-saving, Nathan’s fondness for H&M’s line of socks and how righteousness is undermined by accusations of hypocrisy, the theme from Peter Gunn and his history as a musician and music fan, the video game Spy Hunter, drum lessons, Fugazi and Primus, not loving guitars but being ok with pianos, knowing when to fold ‘em, playing in King Cobb Steelie and their pioneering approach to punk, the politically-charged city of Guelph and having tolerant parents, here comes the argument, how Nathan did not turn out a punk, my unfocused, unnecessary curatorial advice to people programming variety shows, arbitrary references to Feist and “farting on sandwiches,” why some famous people won’t vouch for things they actually believe in and why some topics are ‘hushed,’ Nathan’s ill-fated and traumatizing attempt to bring musicians and Toronto Police together for a hockey game to raise awareness about civil liberties, why talking shit out is important, Nathan’s great regrets about leaving the band Royal City and our fun American tour in October 2000, his future music plans, the MINOTAURS song “Make Some Noise,” and then we just spent the rest of the day farting on sandwiches.

Related links: minotaursband.com ccla.org vishkhanna.com

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