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Ep. #229: Willie Thrasher

Willie Thrasher is a gifted Inuk singer and songwriter who lives in Nanaimo, British Columbia. In 2014, three of Thrasher’s earliest songs, appeared on the wondrous and revelatory Light in the Attic Records compilation, Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985, renewing interest in his and other Aboriginal artists’ work. On October 30, Thrasher’s powerful 1981 debut album. Spirit Child, was reissued by Light in the Attic, and here we discuss eating breakfast in Nanaimo, his 2009 album Asumatak – The Great Land, how life hasn’t changed that much since Willie was featured on the Native North America compilation, becoming known for something you made 40 years ago, as a kid, feeling young, WIllie’s nice voice, screaming and yelling and playing drums in the Cordells, Willie’s aggressive voice, performing not busking with his wife Linda, getting respect as an artist in Canada, the impact of contemporary publicity, Kevin Howes, Willie Mitchell, David Campbell, growing up, the residential school experience, being one of 21 children, discovering country music via a local radio station, A Hard Day’s Night and Ringo Starr, the Cordells, the mysterious man who changed his life by suggesting he get back in touch with his tradition, the song “Wolves Don’t Live by the Rules,” recording Inuit songs at the CBC in Montreal, leaving the Northwest Territories forever in 1970, living all across Canada in the ensuing years, WIllie’s style, how Spirit Child changed things for Willie, following up Spirit Child, firefighting, whaling, the significance of external respect for Aboriginal music, unity, Willie and Linda’s new songs, “Wolves Don’t Live by the Rules,” and that was it.     

Related links: lightintheattic.net vishkhanna.com

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Ep. #228: Long Night with Desmond Cole, Matt Collins, & Elaquent

This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Friday November 13, 2015. My guests were Toronto journalist/broadcaster Desmond Cole, stand-up comedian Matt Collins, and hip-hop artist Elaquent. My sidekick is James Keast and the Long Night house band is the Bicycles. This episode was recorded just as the terrorist attacks in Paris were contained and this left me feeling rather frazzled and emotionally exhausted but I did my best not to show it.

Related links: torontolongwinter.com vishkhanna.com

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Ep. #227: John Wright & Frank Barnes of Compressorhead

John Wright is a founding member, singer, songwriter and drummer in British Columbia’s Nomeansno, one of the greatest rock and roll bands in the history of great rock and roll bands. Frank Barnes is an artist who specializes in robotics and is the mind behind innovative projects like Robocross and Drummer. Barnes is part of a team based in Germany working towards creating a completely robotic punk band called Compressorhead, which consists of a guitarist named Fingers, a drummer named Stickboy, a bassist named Bones, and at least one occasional human collaborator named John Wright. There’s a Kickstarter campaign in place to raise 290,000 Euros to build Compressorhead a singer and the deadline to donate is Dec. 5. Here, John and Frank and I discuss the Compressorhead practice space in Berlin, replacing Stickboy’s elbow, whether or not John has ever broken his elbow playing the drums, how Frank came to know Nomeansno and the Hanson Brothers and John, when Frank got drunk and approached Rob Wright about his robots idea, John is not Paul Shaffer but is Compressorhead’s musical director, writing songs like the Ramones and Hanson Brothers, whether John has worked with robots before, MIDI, trips to Berlin, how the members of Compressorhead get along with each other and what Stickboy, Fingers, and Bones are really like in robot, Frank thinks his robots are like kids, his collaborators Markus Kolb and Stock Plum, the robot musician origin story, real instruments, what Compressorhead tells us about music production today, how the robots work, robot fish and robot great white sharks and robot grabby arms, Great White, if the robots’ musical tastes will evolve, fearing Compressorhead and what they stand for, Kickstarting and fundraising and obtainium, recording and producing the Compressorhead album, threatening robots, what happens if the campaign doesn’t work, world tours, John’s role in the future of Compressorhead, the status of Nomeansno, dot rocks, Rob’s famous bass amp, inanimate objects that have Facebook pages, the song “Compressorhead,” and that was the end of our very human conversation.  

Related links: compressorhead.rocks nomeanswhatever.com vishkhanna.com

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