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Ep. #191: Buffy Sainte-Marie

Buffy Sainte-Marie is an iconic multi-faceted artist and socio-political force of nature who originally hails from Piapot Cree First Nations Reserve in the Qu’Appelle Valley in Saskatchewan. Over six decades, her music has been interpreted by everyone from Elvis Presley and Janis Joplin to A Tribe Called Red and Courtney Love, and her composition, “Up Where We Belong” won the 1982 Academy Award for Best Song. She’s an outspoken advocate for many progressive causes, perhaps most notably the advancement of Native American and Aboriginal Canadian rights and cultural awareness. Her latest album is a bold, eclectic one called Power in the Blood, it’s out now via True North Records, and it’s prompted her to embark on an intense world tour, with many Canadian dates scheduled this summer. Here, Buffy and I discuss being in Ottawa, how Owen Pallett once introduced us at the Hillside Festival, the significance of the Truth and Reconciliation Commission and its recommendations and how it’s a dream come true, help from nice white people, there’s more information about these issues now that could impact educational curriculums, Prime Minister Stephen Harper’s government and their response to the findings, cronyism, addressing NPD Leader Thomas Mulcair’s election promises, the power of Idle No More, historical instances where change has occurred, being a sweet teacher and keeping people informed about their countries’ histories, men can be better, people can be better, why she re-recorded “It’s My Way” from her 1964 debut LP, our fear of the unique or original, rocking out with her band on these new songs, the connection between “Power in the Blood” and what David Chase chose as the theme song for The Sopranos, “We Are Circling” and the Sadies, pow wow drumming and EDM, her very early adoption of Apple McIntosh computers as a DIY home-recording medium in the early 1980s, digital art, not pondering her artistic legacy, lingering anger about being stifled by government blacklists, the book In the Spirit of Crazy Horse by Peter Matthiessen, re-imagining songs from her catalogue, potential reissues, the song “Carry it On,” and that was the end of a pleasant, inspiring conversation.

Related links: buffysainte-marie.com vishkhanna.com

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News Podcast

Ep. #190: Lee Reed

Lee Reed is a riveting and uncompromising hip-hop artist from Hamilton, Ontario. Once a member of the powerful group Warsawpack, Reed has released three politically-charged solo albums, including his latest, The Butcher, The Banker, The Bitumen Tanker, which is available now via leereedrevolt.com. He’s playing the Hillside Festival in Guelph during the weekend of July 24 and here, Lee and I discuss the city of Hamilton and Kathleen Wynne’s one billion dollar promise to bring light rail transit to town, gentrification, people moving to Hamilton while other people are being displaced, the severe classicism within the city, action versus reaction, contributing to discussions more than ushering them along, learning more about and carefully scrutinizing Canada’s disturbing social and political history, this country’s large role in resource extraction, how the Indian Act inspired South African apartheid, writing the new record pretty quickly, punk rock, his relationship to more materialistic or problematic aspects of hip-hop culture, Public Enemy’s Yo! Bum Rush the Show, Kanye West and Mike Myers, old school production, flossing and being a chubby old white dude, trying to breakthrough with ‘fringe’ messages in the Canadian hip-hop community, Hamilton’s supportive music scene, making art for love, catchy political music, accessibility, hopelessness, greed, we just suck, The Butcher, The Banker, The Bitumen Tanker is #1, the Rebel Function, Mother Tareka and Flotilla, working a good day job, the song “Fuck Ya,” and that’s all.

Related links: leereedrevolt.com hillsidefestival.ca vishkhanna.com

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News Podcast

Ep. #189: Raekwon

Raekwon the Chef is one of the fiercest MCs and hip-hop storytellers of all time. The Staten Island-bred artist is a member of the Wu-Tang Clan and has released classic albums on his own. His latest is Fly International Luxurious Art and is out now via his own Ice H2O imprint. I sat down with Rae at a listening party for F.I.L.A. at Red Bull Music Academy’s HQ in Toronto on May 22 and here, we discuss being a VIP, the Raekwon Canadian flag, sonic departures, some Wu-Tang fans are fantastic or fickle or stuck in the past, becoming successful early, nostalgia, the materialism on F.I.L.A. and tone deafness, making movies, what was up with A Better Tomorrow, whether or not Wu-Tang Clan have another classic left in them, if hip-hop is more revolutionary than rock music, the song “Revory (Wraith),” and then we out.

Related links: raekwonchronicles.com vishkhanna.com

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Listen, subscribe, rate/review on iTunes. Now available via AudioBoom.