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Ep. #224: Ian MacKaye & Steve Albini (Part II)

Ian MacKaye is known for being in bands like Minor Threat, Embrace, Fugazi, and the Evens and he co-founded the Washington D.C. based label, Dischord Records. Steve Albini has sung and played guitar in bands like Big Black and Shellac of North America and he owns and operates the renowned recording facility, Electrical Audio, in Chicago, Illinois. In this second of a two-part moderated conversation between Ian and Steve, we discuss the Independent Rock Music Label Festivals organized by Heather Whinna in Chicago that featured Fugazi, Shellac, the Make-Up, Blonde Redhead, and the Ex, Jay Ryan, the Rainbow Roller Rink and the Congress Theatre, confidence versus leadership, Ian on Steve’s interviews, how disempowered people feel, Ian doesn’t talk shit about people like Marc Ribot, exemplars, why Steve might call someone out on a position or argument, critiquing your own community, relating to “political correctness” today, the Reagan Revolution and ‘to care is selfish,’ being decent toward other people, biases and presumptions, the Fugazi song “And the Same,” which includes the lyric, “Yes, I know this is politically correct…,” derailing progression, charity was selfish and greed was good, growing up in D.C. without encountering many Republicans, Democrats can’t go radically left, why musicians play music, being attacked by others, Sylvester Stallone, the Urban Outfitters/Minor Threat thing and aquarium warfare, online pile-ons and Henry Rollins and Robin Williams, Steve defends Henry, internet distractions, making sense of the age of outrage, access and speed, super communication and one-way communication and real-life communication, anonymity, the Butthole Surfers, metrics, I can’t even, Steve belongs on twitter, the way Ian demonstrated how to be a decent, thinking person, the punk rock lawyer, creeping professionalism, custodial and active responsibilities, Dischord Records and Electrical Audio, the music scene in Chicago, it’s nice to be right, work and love, people don’t own their own time, the big payback, “The People’s Microphone,” and that was that phone call.

Related links: dischord.com electricalaudio.com vishkhanna.com

Listen, subscribe, rate/review on iTunes.

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Categories
News Podcast

Ep. #223: Ian MacKaye & Steve Albini (Part I)

Ian MacKaye was once in bands like Minor Threat and Embrace and is currently in the bands Fugazi and the Evens. He also co-founded and continues to oversee the excellent label Dischord Records, which is based in his hometown of Washington D.C. Steve Albini has been in bands like Big Black and Rapeman and is currently in the vital and wondrous rock trio, Shellac of North America. He’s a very well-respected recording engineer who owns and operates the Electrical Audio facility in the city of Chicago, Illinois, where he has lived for a good long time. In this first of a two-part moderated conversation between Ian and Steve, we discuss how they first met via either the late John Loder or Corey Rusk, Steve’s harshly written published review of the Rites of Spring record, Big Black playing D.C., machines and heartbeats, the formalization of punk, the influence of Minor Threat, punk violence, the Butthole Surfers, one-upmanship, explaining Pailhead and how Ian came to work with Al Jourgensen, the significance of John Loder, his company Southern Records, and its role in distributing underground music, Ministry, Revolting Cocks, Wax Trax! Records, Strike Under, punk to electronic music, Paul “Ion” Barker, the Blackouts, Bill Rieflin, drumming, Chicago’s drug scene, Minor Threat’s ferocity and execution, the time Pailhead employed an Ian MacKaye impersonator at shows, Adrian Sherwood almost working with Big Black, the story behind the In on the Kill Taker sessions, staying in London and missing John Loder, why Fugazi recorded in Chicago, how the greatest session ever yielded the saddest demo tapes, Fugazi let its guard down, Steve’s magical rapport with bands, Fugazi goes hard, how Steve bonded with Fugazi during their session together, stifling your fandom as an engineer, treating people you record with respect and trusting their vision, Ian teaches Steve how to double vocals, Ian’s phrasing, single vocals are just fine, trumpets, Ian as a prolific producer, the first Teen Idles recording session with a mean engineer, how Terrie from the Ex obtained his first guitar, Skip Groff and Don Zientara, Inner Ear Studio, Round Raoul Records, resisting technological trends when running a studio, how the In on the Kill Taker sessions with Steve ended up circulating publicly, Fugazi tried to bury it, how records leak, the song “Great Cop,” and that was the end of part one.

Related links: dischord.com electricalaudio.com vishkhanna.com

Listen, subscribe, rate/review on iTunes.

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Ep. #222: Peter Guralnick

Peter Guralnick is a music writer of the highest order who splits his time living between Tennessee and Massachusetts. Over the past 40 years, he has written definitive books about American music, including Dream Boogie, a biography of Sam Cooke, and Last Train to Memphis and Careless Love, his monumental twin biographies about the rise and unmaking of Elvis Presley. His latest book is a riveting and exhaustively researched portrait of the founder of Sun Records in Memphis, Tennessee—the man who discovered Presley and other icons like Howlin’ Wolf, B.B. King, Johnny Cash, Carl Perkins, and Jerry Lee Lewis among many others. The book is called Sam Phillips: The Man Who Invented Rock ‘n’ Roll, it’s out now via Little, Brown and Company, and here, Peter and I discuss me geeking out in a major way, his time spent in Boston, Nashville, and Memphis, writing what he wants, Sam Phillips’ influence and independent spirit, finding Elvis, the R-E-A-L and our individuality, a man on an extraordinary mission, “Tell the damn truth,” the myth of objectivity, fact checking and getting to the core of someone you might not know, becoming friends with Sam Phillips, treating subjects with dignity, Charlie Rich, the truth is the truth, getting lost in spontaneity, personal observation, narrative slapback, Sam’s love for radio, that time Phillips called up Fidel Castro and became friends with Hank Williams’ widow, Audrey, Sam’s heroic last days, the astonishing breadth of his knowledge and dedication to research in any field, Phillips’ desire to foster racial equality and give impoverished artists of any background a chance to express themselves, standing up for the downtrodden, the new Yep Roc Sun Records compilation and a mouse in my house, Phillips’ guiding role for independent American record labels, distributors, and artists, his business acumen, the financial pain of having a hit single, looking for someone exactly like Elvis, why Sam had to sell the Elvis Presley contract to RCA for $35,000, working with Sam on his life story and winning his trust, how Sam didn’t really want to write a memoir, an interesting e-book version of this story, going back to working on a collection of short stories, Alice Munro, Dawn Powell, Fanny and Alexander, the song “Mr. Highway Man” by Howlin’ Wolf and the Wolf’s sway over Sam Phillips, and then we gotta let you go.        

Related links: peterguralnick.com sunrecords.com vishkhanna.com

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